ARNOLD BOONEN | PORTRAIT OF THE GEELVINCK CHILDREN: NICOLAAS (1706-1764), CORNELIS (1705 - ?) AND CATHARINA JACOBA GEELVINCK (1710-1759)
ARNOLD BOONEN | PORTRAIT OF THE GEELVINCK CHILDREN: NICOLAAS (1706-1764), CORNELIS (1705 - ?) AND CATHARINA JACOBA GEELVINCK (1710-1759)
ARNOLD BOONEN | PORTRAIT OF THE GEELVINCK CHILDREN: NICOLAAS (1706-1764), CORNELIS (1705 - ?) AND CATHARINA JACOBA GEELVINCK (1710-1759)
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ARNOLD BOONEN | PORTRAIT OF THE GEELVINCK CHILDREN: NICOLAAS (1706-1764), CORNELIS (1705 - ?) AND CATHARINA JACOBA GEELVINCK (1710-1759)

Estimate: 15,000 - 20,000 USD

ARNOLD BOONEN | PORTRAIT OF THE GEELVINCK CHILDREN: NICOLAAS (1706-1764), CORNELIS (1705 - ?) AND CATHARINA JACOBA GEELVINCK (1710-1759)

Estimate: 15,000 - 20,000 USD

Lot Sold:13,750USD

Lot Details

Description

Property from a Private Connecticut Collection

ARNOLD BOONEN

(Dordrecht 1669 - 1729 Amsterdam)

PORTRAIT OF THE GEELVINCK CHILDREN: NICOLAAS (1706-1764), CORNELIS (1705 - ?) AND CATHARINA JACOBA GEELVINCK (1710-1759)


signed and dated lower left: Boonen 1716

oil on canvas

20¾ by 15¾ in.; 52.7 by 40 cm.

Condition Report

The canvas is tightly relined and stable on its stretcher. An elegant portrait image reads very well beneath a clear varnish with texture and details retained. A very fine web of craquelure is present throughout and is stable. Tiny dots of frame abrasion are visible at the upper left corner and at the upper right edge, but no other areas of loss are visible to the naked eye. Under UV inspection, an older campaign of retouching to the trees in the background and possible to the central child’s cheek is visible, but the newest retouches are limited to a thin line beneath each child’s chin. The painting is in overall very good condition and can hang in its current state. Offered in a decoratively carved giltwood frame.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Cataloguing

Provenance

Collection of a nobleman;

His sale, London, Christie's, 4 May 1979, lot 21;

Anonymous sale, New York, Sotheby's, 17 April 1986, lot 63;

There acquired.

Catalogue Note

This charming portrait depicts Nicolaas (1706-1764), Cornelis (1705 - ?) and Catharina Jacoba Geelvinck (1710-1759), the three youngest children of Lieve Geelvinck and his first wife, Agatha Theodora van Bambeeck. Boonen had painted the pendant portrait of their 3 older children a few years earlier. Nicolaas would follow in his father's footsteps to become lord of a country estate and mayor of Amsterdam in 1747, and Catharina Jacoba was later renowned for her beauty. The rug, parrot, and fruits suggest the Geelvinck family's wealth, and the parrot additionally signifies that children mimic their elders. A student of Godfried Schalcken, Arnold Boonen excelled at portraiture and depicted important political figures of his day, including the Prince and Princess of Orange and Peter the Great of Russia.

Master Paintings
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