JACK BUTLER YEATS, R.H.A.
THE ROLLING DONKEY
signed l.r.: JACK B/ YEATS
28 by 43cm., 11 by 17in.
Painted in 1899.
The sheet appears in good, untouched original condition.
Held under glass in a simple wood frame; unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Robert Gregory (son of Lady Gregory);
Private collection, U.K., thence by descent to the present owner
The Artist, London, 1899, p.25, p.148 illustrated;
Anne Gregory, Me and Nu - Childhood at Coole, Buckinghamshire, 1970, p.87-8;
Hilary Pyle, Jack B. Yeats, His Watercolours, Drawings and Pastels, Dublin, 1993, no.160, p.78
London, Walker Art Gallery, Sketches of Life in the West of Ireland, February 1899, no.7 (purchased by Robert Gregory);
Dublin, Leinster Hall, Sketches of Life in the West of Ireland, May 1899, no.7;
London, Guildhall, Loan Exhibition of Irish Artists, May-July 1904, no.243.
The present work was purchased by Lady Gregory's son Robert and hung in Coole Park before passing down through the family. Lady Gregory's grand-daughter Anne recalled in her memoirs, Me and Nu - Childhood at Coole (1970), the present work: Jack Yeats used to come to Coole now and again...We had several of Mr Yeats' pictures. There was a wonderful rolling donkey' (p.87). The setting of the present work was thought by Robert Gregory to be a scene in Co. Clare.