View full screen - View 1 of Lot 10. EDGAR DEGAS | TÊTE, PETITE ÉTUDE POUR LE PORTRAIT DE MADAME SALLE.
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EDGAR DEGAS | TÊTE, PETITE ÉTUDE POUR LE PORTRAIT DE MADAME SALLE

Estimate:

12,000 to - 18,000 USD

Property from an Important Private Collector

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EDGAR DEGAS | TÊTE, PETITE ÉTUDE POUR LE PORTRAIT DE MADAME SALLE

EDGAR DEGAS | TÊTE, PETITE ÉTUDE POUR LE PORTRAIT DE MADAME SALLE

Estimate:

12,000 to - 18,000 USD

Lot sold:

11,875

USD

Property from an Important Private Collector


EDGAR DEGAS

1834 - 1917

TÊTE, PETITE ÉTUDE POUR LE PORTRAIT DE MADAME SALLE


Stamped Degas, numbered 7/B and with the foundry mark A. A. Hébrard cire perdue

Bronze

Height: 6 in. (15.2 cm)

Conceived in 1892 and cast in bronze by the A.A. Hébrard Foundry, Paris, from 1919 to 1937 in a numbered edition of 21 numbered A to T plus one cast inscribed HER.D. 


Dark brown patina. Some dirt and accretions in the crevices, particularly to the top of the figure's head. There is some slight rubbing to the extreme edges, most notably to the figure's proper left ear and to the back of the head. Otherwise, fine. This work is in good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Walter Halverson (acquired in 1921)

Durand-Ruel Galleries, New York (acquired by 1922)

Ferargil Galleries, New York (acquired by 1925)

Mr. & Mrs. Stephen Millett (acquired from the above)

Thence by descent

Germain Bazin, "Degas sculpteur," in L'amour de l'Art, no. 7, July 1931, illustration of another cast fig. 73

John Rewald, ed., Degas, Works in Sculpture—A Complete Catalogue, New York, 1944, no. XXXI, illustration of another cast p. 83

John Rewald, Degas: Sculpture, London, 1957, no. XXXI, illustration of another cast p. 148

Charles Millard, The Sculpture of Edgar Degas, Princeton, 1976, no. 115, illustration of another cast n.p. (titled Portrait Head)

Degas scultore (exhibition catalogue), Palazzo Strozzi, Florence & Palazzo Forti, Verona, 1986, no. 7, illustration of another cast n.p. 

John Rewald, Degas's Complete Sculpture. Catalogue Raisonné, New Edition, San Francisco, 1990, no. XXXI, illustration of another cast p. 100

Anne Pingeot & Frank Horvat, Degas Sculptures, Paris, 1991, no. 69, illustration of another cast p. 186

Sara Campbell, "Degas, The Sculpture: A Catalogue Raisonné," in Apollo, London, August 1995, illustration of another cast p. 14

Joseph S. Czestochowski & Anne Pingeot, Degas Sculptures, Catalogue Raisonné of the Bronzes, Memphis, 2002, no. 7, illustrations of another cast p. 134 

Sara Campbell, Richard Kendall, Daphne Barbour & Shelley Sturman, Degas in the Norton Simon Museum, vol. II, Pasadena, 2009, no. 101, original wax model and another cast illustrated pp. 262-265; the present cast listed pp. 262-65