ARMAND GUILLAUMIN | LES RUINES DU CHÂTEAU DE CROZANT
 ARMAND GUILLAUMIN | LES RUINES DU CHÂTEAU DE CROZANT
 ARMAND GUILLAUMIN | LES RUINES DU CHÂTEAU DE CROZANT
 ARMAND GUILLAUMIN | LES RUINES DU CHÂTEAU DE CROZANT
 ARMAND GUILLAUMIN | LES RUINES DU CHÂTEAU DE CROZANT
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Property from a Private Southern Collection

ARMAND GUILLAUMIN | LES RUINES DU CHÂTEAU DE CROZANT

Estimate: 15,000 - 25,000 USD

Property from a Private Southern Collection

ARMAND GUILLAUMIN | LES RUINES DU CHÂTEAU DE CROZANT

Estimate: 15,000 - 25,000 USD

Lot Sold:17,500USD

Lot Details

Description

Property from a Private Southern Collection


ARMAND GUILLAUMIN

1841 - 1927

LES RUINES DU CHÂTEAU DE CROZANT


Signed Guillaumin (lower left)

Oil on canvas

28⅜ by 36⅛ in. (72.1 by 91.8 cm)

Framed: 35¾ by 43⅝ in. (90.8 by 110.8 cm)


This work will be included in Volume II of the Catalogue Raisonné Guillaumin being prepared by the Comité Guillaumin with Dominique Fabiani, Jacques de la Béraudière and Stéphanie Chardeau-Botteri.


Condition Report

The canvas has been strip lined. The surface is somewhat dirty. There are several pindot losses to the pigment along the right side of the bottom edge. There is some frame abrasion to the top edge with associated minor pigment losses. Under UV light: some original pigments fluoresce but no inpainting is apparent. This work is in good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Private Collection, Switzerland

Sale: Christie’s, South Kensington, February 7, 2014, lot 121

Acquired at the above sale

Impressionist and Modern Art Online
Online bidding closed24 Jul 2019 | 05:38 PM GMT