Marieschi, Magnificentiores selectioresque urbis Venetiarum prospectus, Venice, [after 1743], green boards
Magnificentiores selectioresque urbis Venetiarum prospectus. Venice: the author, 1741 [after 1743]
Oblong folio (394 x 530mm.), etched title incorporating a portrait of the artist after Angelo Trevisani, 21 etched plates by Marieschi, all but the last numbered in contemporary manuscript, the leaves with central drying folds as normal, eighteenth-century green half vellum over paper-covered boards, binding slightly rubbed
FIRST EDITION, FIRST ISSUE (BEFORE PLATE NUMBERS) OF THESE STRIKING VIEWS OF VENICE. Marieschi (1710–1744) was a native Venetian, who, as well as being an engraver, was also a stage-designer and scene-painter. His views of Venice are original compositions and, unlike the earlier suite by Canaletto which perhaps inspired him, not based on existing paintings.
Berlin Kat. 2697; Cicognara 4040; Dario Succi, Le incisioni di Michele Marieschi (Padua, 1981)
Condition is described in the main body of the cataloguing, where appropriate.
We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.