UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19TH CENTURY | NIHONBASHI: MORNING SCENE (NIHONBASHI, ASA NO KEI)
THE PROPERTY OF A GENTLEMAN
UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19TH CENTURY | NIHONBASHI: MORNING SCENE (NIHONBASHI, ASA NO KEI)
Lot Closed
UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19TH CENTURY | NIHONBASHI: MORNING SCENE (NIHONBASHI, ASA NO KEI)
UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19TH CENTURY | NIHONBASHI: MORNING SCENE (NIHONBASHI, ASA NO KEI)
UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19TH CENTURY | NIHONBASHI: MORNING SCENE (NIHONBASHI, ASA NO KEI)
19

UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19TH CENTURY | NIHONBASHI: MORNING SCENE (NIHONBASHI, ASA NO KEI)

Estimate: 2,000 - 3,000 GBP
THE PROPERTY OF A GENTLEMAN

UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19TH CENTURY | NIHONBASHI: MORNING SCENE (NIHONBASHI, ASA NO KEI)

Estimate: 2,000 - 3,000 GBP
Lot sold:8,125GBP

Description

THE PROPERTY OF A GENTLEMAN

UTAGAWA HIROSHIGE I (1797–1858), EDO PERIOD, 19TH CENTURY

NIHONBASHI: MORNING SCENE (NIHONBASHI, ASA NO KEI)


woodblock print: ink and colour on paper, from the series Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the First Tôkaidô or Great Tôkaidô, signed Hiroshige ga, published by Takenouchi Magohachi (Hoeidô) and Tsuruya Kiemon (Senkakudô), censor's seal kiwame, circa 1833–34

Horizontal ôban:

24.7 x 36 cm., 9¾ x 14⅛ in.

Condition Report

- The Nihonbashi print has a centrefold but it is not pronounced. There are small areas of restorations to the margin on the top right-hand corner.

- Otherwise, it is in good condition.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The same print is in numerous museum collections including the Museum of Fine Arts, Boston, accession no. 11.23079, the Metropolitan Museum of Art, accession no. JP471, and the British Museum, accession no. 1906,1220,0.765