BARTOLOMEO LIGOZZI | A STILL LIFE OF WHITE ROSES, HYACINTHS, RED CARNATIONS, ANEMONES AND OTHER FLOWERS IN A GLASS VASE ON A STONE SURFACE
BARTOLOMEO LIGOZZI | A STILL LIFE OF WHITE ROSES, HYACINTHS, RED CARNATIONS, ANEMONES AND OTHER FLOWERS IN A GLASS VASE ON A STONE SURFACE
BARTOLOMEO LIGOZZI | A STILL LIFE OF WHITE ROSES, HYACINTHS, RED CARNATIONS, ANEMONES AND OTHER FLOWERS IN A GLASS VASE ON A STONE SURFACE
BARTOLOMEO LIGOZZI | A STILL LIFE OF WHITE ROSES, HYACINTHS, RED CARNATIONS, ANEMONES AND OTHER FLOWERS IN A GLASS VASE ON A STONE SURFACE
BARTOLOMEO LIGOZZI | A STILL LIFE OF WHITE ROSES, HYACINTHS, RED CARNATIONS, ANEMONES AND OTHER FLOWERS IN A GLASS VASE ON A STONE SURFACE
BARTOLOMEO LIGOZZI | A STILL LIFE OF WHITE ROSES, HYACINTHS, RED CARNATIONS, ANEMONES AND OTHER FLOWERS IN A GLASS VASE ON A STONE SURFACE
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SOLD WITHOUT RESERVE

BARTOLOMEO LIGOZZI | A STILL LIFE OF WHITE ROSES, HYACINTHS, RED CARNATIONS, ANEMONES AND OTHER FLOWERS IN A GLASS VASE ON A STONE SURFACE

Estimate: 5,000 - 7,000 USD

SOLD WITHOUT RESERVE

BARTOLOMEO LIGOZZI | A STILL LIFE OF WHITE ROSES, HYACINTHS, RED CARNATIONS, ANEMONES AND OTHER FLOWERS IN A GLASS VASE ON A STONE SURFACE

Estimate: 5,000 - 7,000 USD

Lot Sold:21,250USD

Lot Details

Description

BARTOLOMEO LIGOZZI

Verona 1620 - 1695 Florence

A STILL LIFE OF WHITE ROSES, HYACINTHS, RED CARNATIONS, ANEMONES AND OTHER FLOWERS IN A GLASS VASE ON A STONE SURFACE


oil on canvas

15½ by 10⅞ in.; 39.4 by 27.6 cm.


Renowned Art Dealer Fabrizio Moretti and The Strokes' Fab Moretti Collaborate

Condition Report

The canvas is tightly lined. This painting has recently been cleaned and re-varnished. A decorative image reads well, though some details in the shadows have sunken. Some minor frame abrasions with associated loss are along the edges, but barely noticeable. Craquelure is visible throughout. Inspection under UV reveals some possible fine lines of retouching to address the craquelure. Painting can hang as is. Offered in an elaborately carved giltwood frame with some minor loss on its edges.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Private collection;

By whom anonymously sold, Florence, Pandolfini Casa D'Aste, 19 April 2016, lot 9, sold for €11,250.

Catalogue Note

Bartolomeo Ligozzi was the nephew of the mannerist artist Jacopo Ligozzi. Born in Verona, Ligozzi flourished as a still life painter in Florence, where he gained the favor of the Medici family. Certain elements in this painting, like the flowers' arrangement and the glass's luminescence, are repeated in Fiori in un vaso di vetro in the Museo della natura morta, Poggio a Caiano.1


When this painting sold in 2016 (see Provenance), Ilaria della Monica endorsed the attribution to Bartolomeo Ligozzi. We are grateful for her assistance with the cataloguing of this lot.


1. Oil on canvas, inv. no. 560 / Oggetti d'Arte Castello.

Fabrizio Moretti x Fabrizio Moretti | In Passing
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