LYNETTE YIADOM-BOAKYE | SCRIBE
23

Property from a Prestigious Private Collection, London

LYNETTE YIADOM-BOAKYE | SCRIBE

Estimate: 30,000 - 40,000 GBP

Property from a Prestigious Private Collection, London

LYNETTE YIADOM-BOAKYE | SCRIBE

Estimate: 30,000 - 40,000 GBP

Lot Sold:68,750GBP

Lot Details

Description

Property from a Prestigious Private Collection, London

LYNETTE YIADOM-BOAKYE

b. 1977

SCRIBE


signed, titled and dated 2004 on the reverse

oil on linen

65.8 by 76 cm. 26 by 30 in.

Condition Report

Colour:

The colour in the catalogue illustration is fairly accurate, although there are fewer magenta undertones in the original.


Condition:

This work is in very good condition. Extremely close inspection reveals two very thin, unobtrusive and stable hairline cracks to the figure's neck and a minute media accretion to the extreme left edge towards the lower corner. No restoration is apparent when examined under ultraviolet light.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.

Cataloguing

Provenance

Private Collection, London (acquired directly from the artist)

Sotheby's, London, 2 July 2015, Lot 372

Acquired from the above by the present owner 

Catalogue Note

"I want to think about painting, not the personality of the [person] sitting with me. I’m far more interested in how we can make people intelligible through paint, rather than getting bogged down in characters ... I want the work to be pulled out of the air somehow"

Lynette Yiadom-Boakye in conversation with Jamie Stevens, cited in: 'Interview with Lynette Yiadom-Boakye', Chisenhale gallery, March 2012, online.

Contemporary Curated
Online bidding closed