By Women For Tomorrow's Women: A Benefit Auction For Miss Porter's School
WORLD FAIRE 785083
signed and dated 2001 on the reverse
graphite and colored pencil on paper
3 by 5½ in. (7.5 by 14 cm.)
This work is in excellent condition overall. The sheet is hinged on the reverse to the backing board. There is minor lifting at the corners. Framed under Plexiglas.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Peggy Preheim is a contemporary artist who works in a variety of media focusing on the transience of life and the cyclical nature of human experience. Preheim constructs complex narratives, which are both accessible and enigmatic, as well as intimate and universal. Old currency and antique photographs combine to address the distance between the past and present and public and private worlds. She often plays with the idea of duality in her work, juxtaposing oppositional ideas and concepts in order to make each concept seem even more like itself. Preheim pulls from both personal and historic sources to inspire her work, with women and children as recurring themes.
Preheim was born in South Dakota, studied art at the Minneapolis College of Art and Design, and currently resides and works in Yonkers, New York. In 2008 The Aldrich Contemporary Art Museum in Ridgefield, CT presented her first solo exhibition entitled Little Black Book, in which Preheim continued to explore how opposing ideas can overlap. Preheim’s innovative work is included in the collections of such museums as The Museum of Modern Art, New York, Whitney Museum of American Art, Albright-Knox Art Gallery, Brooklyn Museum, and The Museum of Fine Arts, Houston.