By Women For Tomorrow's Women: A Benefit Auction For Miss Porter's School
cut fabric, six white shirts
48 by 132 in. (121.9 by 335.3 cm.)
Executed in 2016.
This work is in excellent condition overall. There is a minor undulation to the fabric and there are loose fibers along the edges of the fabric due to the artist's working method and chosen materials. There is minor wear and scattered minor handling marks visible upon close inspection, potentially inherent to the artist's chosen materials.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Courtesy of the artist
Jean Shin is a contemporary artist best known for her monumental installations, which transform everyday objects into works of art, expressive of identity and community. For each project, she collects multiple examples of a specific object, which later become the materials of her sculptures, installations, and videos.
Born in Seoul, South Korea in 1971, Shin moved Maryland at the age of six. During her senior year in high school, Shin entered the Presidential Scholars Program competition and won a full scholarship to the Pratt Institute in Brooklyn, where she later received her BFA in painting and MS in Art History and Criticism. She then worked as a curatorial assistant at the Whitney Museum in New York for two years; since 1998, she has worked at the Pratt Institute as an adjunct professor.
In her work, Shin references a wide range of art historical precedents, ranging from minimalism with its repetition of forms, to feminism with its focus on craft techniques, to Arte Povera with its use of mundane and commonplace materials. Her stock of cast-off materials includes old shoes, broken umbrellas, broken ceramics, prescription pill bottles, sports trophies, and more. She then enters into a process of deconstruction, alteration, and restoration that results in monumental and unique projects.
Her work has been exhibited at museums and galleries internationally, including The Museum of Modern Art in New York City, the Calvin Klein Collection in Seoul, the DeCordova Museum and Sculpture Park, The Montclair Art Museum and the Wadsworth Atheneum Museum of Art, among others. Shin has received many large-scale commissions for permanent installations by major public agencies and city programs. Most recently, she installed “Elevated” at the MTA’s Second Avenue Subway at the 63rd Street in Manhattan.
Her work has been widely exhibited in major museums, including a 2004 solo project at MOMA, of which this piece is part. Shin has received numerous awards in recognition for her excellence, including two New York Foundation for the Arts Fellowships in Architecture and Environmental Structures (2008) and Sculpture (2003), The Korea Arts Foundation of America, Pollock-Krasner Foundation Grant, and more.
Currently, she resides and works in Brooklyn.