View full screen - View 1 of Lot 484. CECILY BROWN | UNTITLED.




By Women For Tomorrow's Women: A Benefit Auction For Miss Porter's School




signed and dated 1999 on the reverse

watercolor on paper

Sheet: 24 by 18⅛ in. (61 by 46 cm.)

Framed: 26¼ by 20¼ in. (66.7 by 51.5 cm.)

This work is in excellent condition overall. The sheet is hinged on the reverse to the backing board. There is a slight undulation to the sheet due to the artist's chosen materials. There is studio splash and artist handling marks in the upper right quadrant. Framed under Plexiglas.

The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Gagosian Gallery, Beverly Hills

Private Collection

Acquired from the above by the present owner 

Gagosian Gallery, Beverly Hills, Cecily Brown: The Skin Game, July - August 1999

Cecily Brown was born in London, England in 1969 and studied at The Slade School of Fine Art. She began her early work in London, later relocating to New York City in 1995. Brown’s expressionist work embraces both abstract and representational depictions of figures and nudes. Her imagery is filled with vibrant colors and swirling brushstrokes. Brown works primarily within photography and painting mediums. Her art is celebrated for its sensual, powerful, provocative nature, which draws the viewer in immediately. Brown plays with themes such as sexuality and attraction, and the tactility of her work allows her to enhance such concepts. Her artistic journey for each work is very adaptive and spontaneous; Brown often begins without an idea in mind and lets the painting transform itself. The assertiveness and femininity of her paintings are often compared to other Abstract Expressionist works, which are customarily associated with fierce masculinity. There are examples of her work in numerous, major public collections, such as at the Whitney Museum of American Art, New York; The Museum of Modern Art, New York; The Museum of Fine Arts, Boston; Tate Britain, London; and The Solomon R. Guggenheim Museum, New York. Additionally, Brown has been the subject of many solo exhibitions, most recently at the Metropolitan Opera House in New York City, Louisiana Museum of Modern Art in Denmark and Paula Cooper Gallery in New York City.