By Women For Tomorrow's Women: A Benefit Auction For Miss Porter's School
ADELAIDE LAWSON GAYLOR
1889 - 1986
oil on board
Board: 12 by 16 in. (30.5 by 40.6 cm.)
Framed: 16 by 20 in. (40.6 by 50.8 cm.)
This work is in good condition overall. There is minor soiling. There are scattered pinpoint accretions. The reverse exhibits trace evidence of exposure to moisture. Under ultraviolet light there are scattered pinpoints of inpainting. Framed without glazing.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Born in New York City, Adelaide Lawson Gaylor began her career at the Art Students League where she studied under Kenneth Hayes Miller. A member of the Society of the Society of Independent American Artists and the Salons of America, she was also a founder of the New York Society of Women Artists. In 1926, she married the artist Wood Gaylor, a student of Walt Kuhn's at the National Academy of Design. The Gaylors were active participants in the New York art world and were part of an influential circle of modern artists and thinkers that included William and Marguerite Zorach, Jules Pascin, Stefan Hirsch, and John Dos Passos. In 1932, the couple moved to Long Island where they organized classes and exhibitions at their barn in Glenwood Landing.