View full screen - View 1 of Lot 494. GABRIELLE BANKS | BIRD BATH.




By Women For Tomorrow's Women: A Benefit Auction For Miss Porter's School




signed on the reverse 

oil on canvas 

62 by 66 in. (157.5 by 167.7 cm.)

Executed in 2018.

Available upon request. Please contact the Contemporary Art Department to obtain a copy.

The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Courtesy of the artist 

Gabrielle Banks is a rising contemporary artist who explores the issues of race, gender, and identity through her works of art. With her experiences as a woman of color, Banks tackles the representation of the Black female form by expressing racial ambiguity. She reinterprets the female form of blackness by replacing it with vibrant, highly-saturated colors - purple, blue, orange, red. She also carries on a conversation of her personal experience of being a woman in her works. Although there has been a rise of female artists of color, Black women still remain misrepresented in the art world. To critique this notion, Banks’s subjects frequently reflect those from the work of white artists; however, modifications are made to highlight the features of a woman of color. In her most recent body of works, Banks delves into her trauma and memory of experiencing sexual assault and abusive relationships. Through this, she acknowledges the therapeutic and emotional power of art. In all of her works, both early and recent, Banks successfully captures the essence of power within the female form through their gaze.

Born in Nassau, Bahamas, in 1997, Banks has grown up with the influence of Bahamian art throughout her lifetime. Directly inspired by this environment, she utilizes her distinct color palette to portray ceremonial traditions, cultural vibrancy, and the beautiful connection between the female form and nature. Banks is a graduate of Miss Porter’s School and she currently attends the Rhode Island School of Design; she recently completed her semester abroad at the Slade School of Fine Art in London, England, and will be graduating in 2019 with a B.F.A. in Painting and a minor in Art History.

During the summer of 2017, Banks had her first solo exhibition, Gabrielle Banks: The Mark of a Woman, at the National Art Gallery of The Bahamas, confidently claiming the title as one of The Bahamas’ most exciting emerging artists.