LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]
LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]
LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]
LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]
LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]
LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]
LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]
LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]
564

The History of Now: The Collection of David Teiger Sold to Benefit Teiger Foundation for the Support of Contemporary Art

LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]

Estimate: 2,000 - 3,000 USD

The History of Now: The Collection of David Teiger Sold to Benefit Teiger Foundation for the Support of Contemporary Art

LUCY MCKENZIE | I. UNTITLED (BI-CURIOUS) | II. TINTIN I [2 WORKS]

Estimate: 2,000 - 3,000 USD

Lot Sold:2,125USD

Lot Details

Description

The History of Now: The Collection of David Teiger Sold to Benefit Teiger Foundation for the Support of Contemporary Art

LUCY MCKENZIE

b. 1977

I. UNTITLED (BI-CURIOUS)

II. TINTIN I

[2 WORKS]


ii. signed and dated 2005 on the reverse

i. acrylic on paper

ii. colored pencil on paper

Sheet: i. 8¼ by 11¾ in. (21 by 29.9 cm.); ii. 23¼ by 16½ in. (59 by 42 cm.)

Framed: i. 16 by 19⅛ in. (40.6 by 48.5 cm.); ii. 32⅞ by 25¾ in. (83.5 by 65.4 cm.)

i. Executed in 2004.


Condition Report

i. This work is in excellent condition overall. The sheet is hinged at the corners of the reverse to the backing board. There is a slight undulation to the sheet due to the artist's chosen media. Framed under Plexiglas.


ii. This work is in excellent condition overall. The sheet is hinged along the edges of the reverse to the backing board. There is a slight undulation to the sheet due to the artist's chosen media. Framed under Plexiglas.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

i. Cabinet Gallery, London

Acquired from the above by David Teiger in September 2004 

ii. Metro Pictures, New York

Acquired from the above by David Teiger in October 17, 2005

Exhibited

i. Boston, Institute of Contemporary Art, Momentum 2: Lucy McKenzie, September 2004 - January 2005, illustrated in color (exhibition catalogue)

ii. New York, Metro Pictures, Lucy McKenzie, September - October 2005

Contemporary Art Online | New York
Online bidding closed02 Oct 2019 | 07:38 PM GMT