REMO BIANCO | 3D O 32
10,000 - 15,000 EUR
3D O 32
multi-coloured and overlapping shaped Plexiglas , executed in the second half of the 1950s. This work is registered in the Fondazione Remo Bianco, Milan, under the n. FRB 1779 and it is accompanied by a photo-certificate issued by Lydia Bianco.
(Plexiglas colorati sagomati e sovrapposti, eseguito nella seconda metà degli anni Cinquanta. L'opera e' registrata presso la Fondazione Remo Bianco, Milano, con il n. FRB 1779 ed e' accompagnata da un certificato su fotografia rilasciato da Lydia Bianco.)
inches 48.82 by 42.91 by 2.76, cm 124x109x7
Framed: inches 50.79 by 44.69 by 2.76, cm 129x113.5x7
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This work is in good overall condition. There are a few minor traces of dirt along the upper edge, towards the centre of the right-hand edge, by the lower right corner, towards the centre of the lower edge and along the left-hand upper edge. There are traces of dirt in the upper left-hand corner. There are some minor sparse scratches. There are three cracks on the first white panel in lower left-hand corner.
(IN GENERALE L'OPERA E' IN BUONE CONDIZIONI. VI SONO MINORI TRACCE DI SPORCO IN PROSSIMITA' DEL MARGINE SUPERIORE, VERSO IL CENTRO DEL MARGINE DESTRO, IN PROSSIMITA' DELL'ANGOLO INFERIORE DESTRO, VERSO IL CENTRO DEL MARGINE INFERIORE E LUNGO IL MARGINE SUPERIORE SINISTRO. VI SONO TRACCE DI COLATURA IN ALTO A SINISTRA. VI SONO ALCUNI MINORI GRAFFI SPARSI.VI SONO TRE CREPE SUL PRIMO PANNELLO BIANCO IN BASSO A SINISTRA.)
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Galleria d'arte Bergamo, Bergamo
Galleria Niccoli, Parma
Private Collection, Milan
Sotheby's Milan, November 24, 2016, lot 100, Arte Moderna e Contemporanea
Adriano Altamira, Remo Bianco Catalogo generale delle opere, Milan 2001, vol. I, p. 125, illustrated in colour
Gaia Agosti, I bianco di bianco un artista, un precursore, Brescia 2004, p. 10, illustrated full page and dated 1948