View full screen - View 1 of Lot 18. AMY CUTLER | BIONIC CONTORTION.
18

AMY CUTLER | BIONIC CONTORTION

UK: Greenford Park Warehouse

Estimate:

2,000 - 3,000 GBP

AMY CUTLER | BIONIC CONTORTION

AMY CUTLER | BIONIC CONTORTION

Estimate:

2,000 - 3,000 GBP

Lot sold:

22,500

GBP

AMY CUTLER

b. 1974

BIONIC CONTORTION


gouache on paper

sheet: 114.7 by 103.2 cm. 45⅛ by 40¾ in.

frame: 122.5 by 111.2 cm. 48¼ by 43¾ in.

Executed in 2003.


To view shipping calculator, please click here 

This work is in very good condition. The sheet is attached verso to the backing board in several places and undulates slightly towards the lower sheet edge. The vertical edges are deckled.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Leslie Tonkonow, New York

Acquired from the above by the present owner

New York, Whitney Museum of American Art, Whitney Biennial, March - May 2004