CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE   II. SAY SOMETHING NICELY   III. SHADOW COME TO FOCUS   IV. BALANCING RAIN
CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE   II. SAY SOMETHING NICELY   III. SHADOW COME TO FOCUS   IV. BALANCING RAIN
CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE   II. SAY SOMETHING NICELY   III. SHADOW COME TO FOCUS   IV. BALANCING RAIN
CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE   II. SAY SOMETHING NICELY   III. SHADOW COME TO FOCUS   IV. BALANCING RAIN
CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE   II. SAY SOMETHING NICELY   III. SHADOW COME TO FOCUS   IV. BALANCING RAIN
CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE   II. SAY SOMETHING NICELY   III. SHADOW COME TO FOCUS   IV. BALANCING RAIN
CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE   II. SAY SOMETHING NICELY   III. SHADOW COME TO FOCUS   IV. BALANCING RAIN
CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE   II. SAY SOMETHING NICELY   III. SHADOW COME TO FOCUS   IV. BALANCING RAIN
267

Property from a Private Collection

CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE II. SAY SOMETHING NICELY III. SHADOW COME TO FOCUS IV. BALANCING RAIN

Estimate: 2,000 - 3,000 USD

Property from a Private Collection

CHRISTIAN HOLSTAD | I. ONE VERY LONG TONE II. SAY SOMETHING NICELY III. SHADOW COME TO FOCUS IV. BALANCING RAIN

Estimate: 2,000 - 3,000 USD

Lot Sold:750USD

Lot Details

Description

Property from a Private Collection

CHRISTIAN HOLSTAD

b.1972

I. ONE VERY LONG TONE

II. SAY SOMETHING NICELY

III. SHADOW COME TO FOCUS

IV. BALANCING RAIN

[4 WORKS]


i. signed, titled and dated apr 04 on the reverse

ii. signed and dated 2005 on the reverse

iii. signed, titled and dated apr 04. on the reverse

iv. signed and titled on the reverse

each: graphite on erased newspaper

Sheet: i. 6 by 8⅞ in. (15.3 by 22.5 cm.); ii. 4½ by 10⅝ in. (11.5 by 27 cm.); iii. 5¼ by 7 in. (13.3 by 17.8 cm.); iv. 5⅜ by 6¾ in. (13.5 by 17.2 cm.)

Framed: i. 8⅞ by 11¾ in. (22.5 by 30 cm.); ii. 7¼ by 13½ in. (18.4 by 34.3 cm.); iii. 11¾ by 13 in. (29.7 by 33 cm.) ; iv. 8¼ by 9½ in. (21 by 24.1 cm.)

iv. Executed in 2004-05.


PROVENANCE

i.  Phillips New York, 7 March 2014, Lot 207

David Zwirner Gallery, New York

ii., iii. and iv. Daniel Reich Gallery, New York

Acquired from the above by the present owner

Condition Report

i. This work is in very good condition overall. The sheet is hinged along the upper edge of the reverse to the backing board. There is a slight undulation to the sheet with associated minor lifting at the corners due to the artist's chosen media. There are scattered soft creases, potentially due to the artist's chosen working method. There is a ⅛ inch hole in the upper right quadrant and a ¼ inch stable tear in the lower right quadrant, both visible upon close inspection. Framed under Plexiglas.


ii. This work is in very good condition overall. The sheet is hinged along the upper edge of the reverse to the backing board. There is a slight undulation to the sheet with associated minor lifting at the corners due to the artist's chosen media. There are some loose fibers at the upper left corner having been cut irregularly by the artist. There are scattered soft creases, potentially due to the artist's chosen working method. Framed under Plexiglas.


iii. This work is in very good condition overall. The sheet is hinged along the upper edge of the reverse to the backing board. There is a slight undulation to the sheet with associated minor lifting at the corners due to the artist's chosen media. There are scattered soft creases, most notably in the lower right quadrant, potentially due to the artist's chosen working method. Framed under Plexiglas.


iv. This work is in fair condition overall. The sheet is hinged along the upper edge of the reverse to the backing board. There is a slight undulation to the sheet with associated minor lifting at the corners due to the artist's chosen media. There are scattered soft creases, potentially due to the artist's chosen working method. There are two 1 inch holes in the upper left and lower right quadrants, potentially due to the artist's erasure of the newsprint. Framed under Plexiglas.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

i.  Phillips New York, 7 March 2014, Lot 207

David Zwirner Gallery, New York

ii., iii. and iv. Daniel Reich Gallery, New York

Acquired from the above by the present owner

Contemporary Art Online | New York
Online bidding closed18 Jul 2019 | 07:30 PM GMT