A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY
A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY
A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY
A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY
A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY
A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY
A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY
190

PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION

A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY

Estimate: 4,000 - 6,000 GBP

PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION

A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY

Estimate: 4,000 - 6,000 GBP

Lot Details

Description

Property from a Distinguished Private Collection


A GROUP OF FIVE FOLK PAINTINGS, NORTH INDIA, 16TH-19TH CENTURY


ink and opaque watercolour on paper


(5)


A: 32.2 by 32cm.

B: 16.5 by 18cm.

C: 20 by 14cm.

D: 34.4 by 38.5cm.

E: 26 by 16cm.


Condition Report

Some mounted on buff paper, some restorations, one with cello tape as illustrated on the image online, some stains and smudges, as viewed.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cataloguing

Provenance

Ex-collection Stuart Cary Welch (d.2008), sold in these rooms, 31 May 2011, lot 40 (A), lot 41 (B), lot 51 (C, D and E).

Catalogue Note

A. Shri Rama knowledge game board (Gyan Baji), inscribed in Devanagari, Rajasthan, late 18th-19th century. 

B. Ganesh and Sarasvati, ascribed to Dayala, Marwar, Rajasthan, dated V.S 1646 (1589 AD).

C. Two pages from the Ramayana: Rama purues the golden deer while Ravana approaches Sita; Hanuman finds Sita in Ashoka Grove, Pahari, 18th century. 

D. Hanuman drawn with yantras. Rama's name and and other mantras, Rajasthan, 19th century. This devotional image of Hanuman would have been used as a visual tool for meditation. Created by a devotee rather than a professional artist, this image is a fragment of larger full-figured Hanuman(pataka). The five animal heads (panchamukhi) emanating from his head are representations of Vishnu's incarnations and his vehicle. Representations of panchamukhi became popular in Rajasthan during the eighteenth century and were typically depicted with larger heads on either side of the monkey's face. In the present drawing, the name of Rama is used in repetition to form Hanuman's tongue, necklace and waistband.

E. Ganesh, North India, early 20th century.

Arts of the Islamic World
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