EXCEPTIONAL CELEBRATION WHIMSY
GERMANIA, PENNSYLVANIA, CIRCA 1910
Height 89 in. by Width 28 in. by Depth 23 in.
Both S-scrolls cracked in several areas. Two small areas of paint loss to the proper front right foot. Areas of worn paint in lower white-painted section. One ball on upper section cracked and reglued. It appears to retain all of its original elements and has an unrestored appearance.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Adele Earnest and Cordelia Hamilton, Stony Point, New York;
Tim and Pam Hill, Birmingham, Michigan;
Stephen Score, Boston, Massachusetts.
Adele Earnest, Folk Art in America, A Personal View (Exton: Schiffer Publishing, 1984), p. 119, illus. in black and white;
Frank Maresca, Roger Ricco and Margit Rowell, American Vernacular (New York: Bullfinch Press, 2002), p. 230, illus. in color.
The Willard Gallery, New York, 1967.
The German-born John Scholl (1827- 1916), emigrated to Schuykill County, Pennsylvania in 1853. By 1870, he had settled his family in the town of Germania, Pennsylvania where he was both a farmer and a carpenter. During his lifetime, he had helped to build much of the town, including the St. Matthieus Lutheran Church, a general store and the local brewery.
When he retired from his trade at the age of eighty, his work was far from over. Having worked for over sixty years, he found it difficult to live an idle life and thus began to create his own art. He created small whittler’s puzzles, known as “Finials,” openwork wall plaques representing snowflakes, mechanized wooden toys, and large, freestanding sculptures, later dubbed as “Celebrations” by Cordelia Hamilton and Adele Earnest, both early collectors, researchers of Scholl's work, and former owners of the Stony Point Folk Art Gallery in the Hudson Valley.
Scholl’s tools were scarce. His primary tool was a jackknife and sometimes a band saw. His works included themes of his Pennsylvania-German heritage, celebrating Christmas, snowfall, springtime, weddings, the circus and peace on earth. Like his building style, he often included whimsical trim and decorative ornament depicting birds, tulips, snowflakes, and star-crossed circles, all of which appear on this offered example.
The entire collection of only forty-five works was acquired by the Stony Point Folk Art Gallery and offered for sale in 1967 at an exhibition held by the Willard Gallery in New York. Since then, Scholl's works have seldom appeared in the marketplace, making this a rare opportunity to acquire a John Scholl masterpiece.
Other similar examples can be found in the permanent collections of the American Folk Art Museum, New York, the Whitney Museum of American Art, New York, the Memorial Art Gallery of the University of Rochester and the University of Pennsylvania Museum.