THÉOPHILE MARIE FRANÇOIS LYBAERT | SOUVENIRS D'AUTREFOIS
THÉOPHILE MARIE FRANÇOIS LYBAERT | SOUVENIRS D'AUTREFOIS
THÉOPHILE MARIE FRANÇOIS LYBAERT | SOUVENIRS D'AUTREFOIS
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THÉOPHILE MARIE FRANÇOIS LYBAERT | SOUVENIRS D'AUTREFOIS

Estimate: 20,000 - 30,000 USD

THÉOPHILE MARIE FRANÇOIS LYBAERT | SOUVENIRS D'AUTREFOIS

Estimate: 20,000 - 30,000 USD

Lot Details

Description

THÉOPHILE MARIE FRANÇOIS LYBAERT

Belgian

1848 - 1927

SOUVENIRS D'AUTREFOIS


signed Théophiele Lybaert (lower left)

black chalk on paper 

33 by 22⅞ in.

83.8 by 58.1 cm

Condition Report

Black chalk on paper laid down on canvas that has been attached to a strainer, resulting in bumping and associated tears in all four corners. The surface presents well overall. The paper is covered with a fixative that is unevenly matte amd also slightly yellowed. There are a few minor paper faults, one in the form of a 3 inch horizontal crease visible at lower left. There are additional minor pin dot discolorations scattered throughout.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.


Cataloguing

Provenance

Private Collection, Belgium

Catalogue Note

Théophile Lybaert was described by his contemporaries as a "modern Memling" (The Strand Magazine, London, August 1906, vol. XXXII, p. 143). At the time of Lybaert’s artistic development, Belgian historical-realist painters found inspiration in the Pre-Raphaelites, and, like their English counterparts, used realism to faithfully recreate their Medieval subjects in narrative compositions of a moralizing nature. The son of a heraldic painter, which likely inspired the coat of arms depicted so meticulously in the present work, Lybaert experienced success during his lifetime with exhibitions in his native country as well as at the Royal Academy in London.

19th Century European Art
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