GIOVANNI MARIA BENZONI | LA SPERANZA (ALLEGORY OF HOPE)
GIOVANNI MARIA BENZONI | LA SPERANZA (ALLEGORY OF HOPE)
GIOVANNI MARIA BENZONI | LA SPERANZA (ALLEGORY OF HOPE)
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GIOVANNI MARIA BENZONI | LA SPERANZA (ALLEGORY OF HOPE)

Estimate: 10,000 - 15,000 GBP

GIOVANNI MARIA BENZONI | LA SPERANZA (ALLEGORY OF HOPE)

Estimate: 10,000 - 15,000 GBP

Lot Sold:11,250GBP

Lot Details

Description

GIOVANNI MARIA BENZONI

Italian

1809-1873

LA SPERANZA (ALLEGORY OF HOPE)


signed and dated: G. M. BENZONI. F. ROMA. A. 1857.

white marble, on a revolving veined grey and pink marble base

figure: 66cm., 26in.

base: 23.5cm., 9¼in.

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Condition Report

Overall the condition of the marble is good, with minor dirt and wear to the surface consistent with age. The surface is a little dry. There are a few small restorations, including to two tips of the anchor, to a swathe of drapery on the proper right side, and to the star on the head. There are a few small naturally occurring inclusions, including to the shaft of the anchor. There are small chips to the edges of the base. There are some open veins to the pinkish stone of the base, consistent with the material.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE

SALE CATALOGUE."

Cataloguing

Catalogue Note

When Benzoni exhibited the original life-size marble of Hope at the 1862 International Exhibition, his work, and that of his compatriots, was described by one reviewer as belonging to the 'school of Italian Romance'. This softened form of neo-classicism appealed to a new audience who thronged to the ever increasing international exhibitions. The treatment of Benzoni's Speranza epitomises this genre.

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19th and 20th Century Sculpture
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