FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY
FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY
FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY
FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY
FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY
FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY
FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY
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FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY

Estimate: 2,000 - 3,000 GBP

FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY

Estimate: 2,000 - 3,000 GBP

Lot Details

Description

FIVE DUTCH DELFT BLUE AND WHITE SMALL VASES | LATE 17TH/ EARLY 18TH CENTURY


Comprising a gu-form vase, painted with a continuous landscape of three figures walking among trees, I or /(?) ./2 mark in blue, 10cm., 3 7/8 in. high;


a double-gourd vase, painted with flowering branches with insects and small birds in flight, double line borders at the rims, 14.5cm., 5 3/4 in. high;


a pear-shaped vase, painted with panels of precious objects, and small landscape panels, picked out in manganese, 12cm., 4 3/4 in. high;


and two vases, perhaps once part of the same garniture, one of baluster form with a narrow short neck, the other of double-gourd form, painted with stylised flowering branches, blue GK monogram marks for Gerrit Pietersz Kam of Drie Postelyne Astonne (the three porcelain ash-barrels) factory, or De Paeuw (the peacock) factory, each 13.6cm., 5 3/8 in. high.

10cm., 3 ⅞ in. to 14.5cm., 5 ¾ in. high



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Condition Report

The gu-form vase with several chips to the top rim and some glaze loss to the footrim.

The double-gourd vase, with minor glaze loss to the rim and two small chips to the footrim.

The pear-shaped vase with glaze loss to rim and a chip to footrim. 

The baluster-shaped vase and double-gourd vase with some glaze flaking and small chipping at rims.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

The double-gourd vase marked for Gerrit Pietersz Kam, F. Bodenheim, Amsterdam, bearing paper label inscribed Nr. 445. 

Works of Art from the Morpurgo Collection
Online bidding closed08 Nov 2018 | 06:03 PM GMT