FOLLOWER OF SIR ANTONY VAN DYCK | PORTRAIT OF KING CHARLES I (1600-1649), BUST LENGTH, IN A BLACK DOUBLET AND WHITE LACE COLLAR, WITH THE BLUE GARTER RIBBON AROUND HIS NECK
FOLLOWER OF SIR ANTONY VAN DYCK | PORTRAIT OF KING CHARLES I (1600-1649), BUST LENGTH, IN A BLACK DOUBLET AND WHITE LACE COLLAR, WITH THE BLUE GARTER RIBBON AROUND HIS NECK
FOLLOWER OF SIR ANTONY VAN DYCK | PORTRAIT OF KING CHARLES I (1600-1649), BUST LENGTH, IN A BLACK DOUBLET AND WHITE LACE COLLAR, WITH THE BLUE GARTER RIBBON AROUND HIS NECK
FOLLOWER OF SIR ANTONY VAN DYCK | PORTRAIT OF KING CHARLES I (1600-1649), BUST LENGTH, IN A BLACK DOUBLET AND WHITE LACE COLLAR, WITH THE BLUE GARTER RIBBON AROUND HIS NECK
FOLLOWER OF SIR ANTONY VAN DYCK | PORTRAIT OF KING CHARLES I (1600-1649), BUST LENGTH, IN A BLACK DOUBLET AND WHITE LACE COLLAR, WITH THE BLUE GARTER RIBBON AROUND HIS NECK
FOLLOWER OF SIR ANTONY VAN DYCK | PORTRAIT OF KING CHARLES I (1600-1649), BUST LENGTH, IN A BLACK DOUBLET AND WHITE LACE COLLAR, WITH THE BLUE GARTER RIBBON AROUND HIS NECK
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FOLLOWER OF SIR ANTONY VAN DYCK | PORTRAIT OF KING CHARLES I (1600-1649), BUST LENGTH, IN A BLACK DOUBLET AND WHITE LACE COLLAR, WITH THE BLUE GARTER RIBBON AROUND HIS NECK

Estimate: 4,000 - 6,000 USD

FOLLOWER OF SIR ANTONY VAN DYCK | PORTRAIT OF KING CHARLES I (1600-1649), BUST LENGTH, IN A BLACK DOUBLET AND WHITE LACE COLLAR, WITH THE BLUE GARTER RIBBON AROUND HIS NECK

Estimate: 4,000 - 6,000 USD

Lot Details

Description

FOLLOWER OF SIR ANTONY VAN DYCK

PORTRAIT OF KING CHARLES I (1600-1649), BUST LENGTH, IN A BLACK DOUBLET AND WHITE LACE COLLAR, WITH THE BLUE GARTER RIBBON AROUND HIS NECK


Oil on panel

Unframed: 12 x 9¾ in., 35 x 24.9 cm

Framed: 18 x 16¼ in., 45.7 x 41.3 cm


For firsthand inspection and shipping, please contact Lynda Gaither at Displays:


Lynda Gaither

Project Manager

Displays FAS

www.displaysfas.com

lgaither@displaysfas.com

626 106th Street, Arlington TX 76011

T. 817-385-4433 / F. 817-385-3949

Toll Free: 888-613-7894

Condition Report

The painting is on a panel which has a vertical join down the left side, just on the outside edge of his hair. It is visible to the naked eye but stable. The paint layer retains a nice patina and there is some impasto in the brushwork of the lace. The varnish is somewhat fresh and overall the painting is in good condition and can be hung as is. Under ultraviolet light there are scattered retouchings throughout the composition which flouresce, notably along the join and mostly in the background. There are a handful of careful areas of retouching in the face, including in the shadow under the cheekbone, in the mustache and beard, along the nose and some minimal spots in the forehead. Offered in a carved giltwood frame.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Gresley collection

Sir Robert Gresley, 11th Baronet Gresley (by descent from the above and sold: Hampton & Sons, Drakelowe, July 16, 1931, lot 797 (as School of Van Dyck))

Sale: Christie's, London, July 26, 1985, lot 96 (as Follower of Sir Anthony van Dyck)


This work appears to borrow different elements from known portraits by Sir Anthony van Dyck. The angle in which his face is represented, gazing towards the side, appears to be based on the larger portrait of King Charles I with Queen Henrietta Marianow in the Archiepiscopal Castle and Gardens, Kromeriz, Czech Republic.(1) Meanwhile, the elegant black shirt he wears with the blue Garter ribbon appears to be inspired by the large portrait of King Charles and Queen Henrietta Maria with their childrenfrom 1632 in Windsor Castle, Berkshire (inv. no. RCIN 405353). 

(1) See Susan J. Barnes, Nora de Poorter, Oliver Millar and Horst Vey, Van Dyck: A Complete Catalogue of the Paintings, Yale & London, 2004, cat.no. IV.46, illustrated pp. 461-62.

The Collection of Martha Hyder Online
Online bidding closed08 Nov 2018 | 06:21 PM GMT