View full screen - View 1 of Lot 3. LOUIS VALTAT | LES FRAISES.




Property from a Private Collection, California


1869 - 1952


Signed with the initials L.V (lower right)

Oil on board mounted on cradled panel

10⅝ by 13¾ in. (27 by 35 cm)

Framed: 16¾ by 19¾ in. (42.6 by 50.2 cm)

Painted circa 1902. 

This work is recorded in the archives of “l’Association Les amis de Louis Valtat.”

The panel is sound. There is no evidence of retouching under UV light. Apart from a few scattered fly spots, this work is in very good original condition.

The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Private Collection, France (and sold: Tajan, Paris, June 27, 1994, lot 34)

Georges Bemberg, Paris

Acquired from the estate of the above in 2015

Louis Valtat’s vibrant still life Les Fraises is a celebration of the sights and textures of summer. Its vibrant color and generous use of paint allude to Valtat’s work with the Fauves, who first exhibited together at the Salon d’automne of 1905.