View full screen - View 1 of Lot 5. JOHN CHAMBERLAIN | UNTITLED.
5

JOHN CHAMBERLAIN | UNTITLED

Reserves

Estimate:

2,000

to
- 3,000 USD

JOHN CHAMBERLAIN | UNTITLED

JOHN CHAMBERLAIN | UNTITLED

Estimate:

2,000

to
- 3,000 USD

Lot sold:

2,750

USD

JOHN CHAMBERLAIN

1927 - 2011

UNTITLED


watercolor on paper

Sheet: 3¾ by 3½ in. (9.5 by 8.9 cm)

Framed: 11½ by 10¾ in. (29.2 by 27.3 cm)

Executed circa 1958.


Please note that this work will be exhibited at Allan Stone Projects. Purchased items will be available for collection at Crozier Fine Arts, 1 Star Ledger Plaza, Newark, NJ as of Thursday, December 13th.

 

This work is in very good condition overall. The sheet is hinged intermittently along the reverse to the backing board. There is a slight undulation to the sheet, visible upon close inspection. There are pinholes at the center of the upper edge and the center of the right vertical edge. There are stray media marks to the upper left corner. There is scattered pigment separation, which is visible upon close inspection and appears to be inherent to the artist's chosen medium. Framed under Plexiglas.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

New York, Allan Stone Gallery, John Chamberlain: Early Works, October 2003 - January 2004, cat. no. 2, illustrated

New York, Allan Stone Gallery, Alfred Leslie, John Chamberlain: Collage, November 2010 - January 2011

New York, Allan Stone Projects, Abstract Expressionist Works on Paper, January - March 2014

New York, Allan Stone Projects, Artists of the New York School, October - December 2016

Championed as the sculptural manifestation of Abstract Expressionism, John Chamberlain's famed assemblages of scrapped car bodies channeled the exuberance of Post-War painting and mixed it with the reflexivity of Pop Art. Chamberlain's works on paper from the late 1950s reflect the same preoccupation with shredded, torqued, and crushed forms that seem to alight or teeter in space with almost biomorphic contrapposto. Chamberlain was a mainstay of the Allan Stone Gallery program for decades, with numerous significant works having passed through the Allan Stone Collection, including the auction record work Nutcracker, 1958. The recipient of numerous awards, Chamberlain was honored with two Guggenheim Fellowships in 1966 and 1977, the Skowhegan Medal for Sculpture and a Lifetime Achievement Award from the International Sculpture Center in Washington DC, both in 1993, The National Arts Club Award in New York in 1997, and the Guild Hall Academy of the Fine Arts, Visual Arts Honoree for the 22nd Annual Lifetime Achievement Award in 2007. Chamberlain has had countless gallery and museum exhibitions, including shows at Leo Castelli Gallery, Gagosian Gallery, the 1964 Venice Biennale, and retrospectives at the Museum of Contemporary Art, Los Angeles in 1986, and the Solomon R. Guggenheim Museum in 1971 and 2012. Chamberlain is in numerous public collections including the Whitney Museum of American Art, New York, the Menil Collection, Houston, the Kunstmuseum Winterthur, Switzerland, DIA Beacon, and the Centre Pompidou, Paris.