View full screen - View 1 of Lot 16. STEVE DURKEE | SALE.

STEVE DURKEE | SALE

Lot Closed

December 10, 05:24 PM GMT

Estimate

500 - 700 USD

Lot Details

Description

STEVE DURKEE

b. 1938

SALE


found paper collage, string and metal elements in wooden box construction

6¾ by 5¾ by 3 in. (17.1 by 14.6 by 7.6 cm)

Executed in 1961.


Please note that this work will be exhibited at Allan Stone Projects. Purchased items will be available for collection at Crozier Fine Arts, 1 Star Ledger Plaza, Newark, NJ as of Thursday, December 13th.

Acquired directly from the artist by the present owner

New York, The Museum of Modern Art; The Dallas Museum for Contemporary Arts; San Francisco Museum of Art, The Art of Assemblage, October 1961 - April 1962, no. 89

Boston, Sunne Savage Gallery, Thirty Years of Box Construction, November 1979


Durkee is a self-taught artist whose work reflects nostalgia for an everyday American life in the 1940s and 1950s, with poignant compositions of color fields, signs, insignias of popular culture and the antiquated imagery of a lost time. He moved to New York City in 1956, taking a studio on Fulton Street once belonging to Robert Rauchenberg and before that to Cy Twombly. In 1961, he was included in the watershed Museum of Modern Art exhibition, The Art of Assemblage, curated by director William C. Seitz, the same year of his first exhibition with Allan Stone. In 1962, the critic Gene Swenson included Durkee, along with Roy Lichtenstein, James Rosenquist, Andy Warhol, Jim Dine, and Robert Indiana, in an ARTnews article on The New American Sign Painters. Durkee was a member the media art collective, USCO, in Garnerville NY and in 1966 moved to New Mexico with his wife where they founded a spiritual collective called Lama.


Please note that this work will be exhibited at Allan Stone Projects.

Durkee is a self-taught artist whose work reflects nostalgia for an everyday American life in the 1940s and 1950s, with poignant compositions of color fields, signs, insignias of popular culture and the antiquated imagery of a lost time. He moved to New York City in 1956, taking a studio on Fulton Street once belonging to Robert Rauchenberg and before that to Cy Twombly. In 1961, he was included in the watershed Museum of Modern Art exhibition, The Art of Assemblage, curated by director William C. Seitz, the same year of his first exhibition with Allan Stone. In 1962, the critic Gene Swenson included Durkee, along with Roy Lichtenstein, James Rosenquist, Andy Warhol, Jim Dine, and Robert Indiana, in an ARTnews article on The New American Sign Painters. Durkee was a member the media art collective, USCO, in Garnerville NY and in 1966 moved to New Mexico with his wife where they founded a spiritual collective called Lama.