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24

DON NICE | POPS

Reserves

Estimate:

1,000

to
- 2,000 USD

DON NICE | POPS

DON NICE | POPS

Estimate:

1,000

to
- 2,000 USD

Lot sold:

1,875

USD

DON NICE

b. 1932

POPS


signed, titled and dated 67

watercolor on paper

17½ by 11½ in. (44.5 by 29.2 cm)


Please note that this work will be exhibited at Sotheby’s. Purchased items will be available for collection at Crozier Fine Arts, 1 Star Ledger Plaza, Newark, NJ as of Thursday, December 13th.

This work is in very good condition overall. There is an undulation to the sheet, visible upon close inspection. There is discoloration to the sheet, primarily visible at the extreme edges. There are scattered pinpoint accretions and stray media marks, visible upon close inspection. There are handling marks at the upper right corner. Unframed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Nice refreshes the classical approach and meticulous precision of nineteenth century encyclopedic illustrators like Audubon or Ernst Haeckel, with representations of contemporary Americana. Evidencing a clear influence from Warhol combined with the representational acumen of Richard Estes or Malcolm Morley, Nice establishes a realist vocabulary that toys with the homogeneity and sterility of mass-produced culture. Nice has been in the Allan Stone collection since its early years, and exhibited at Stone’s eponymous gallery several times in the late ’60s and early ’70s. In 1963, the artist won the Ford Foundation Purchase Award, and he has been an artist-in-residence at Dartmouth since 1982. Nice has been subject of countless solo exhibitions, and is also featured in many prominent institutions, including the Museum of Modern Art, Whitney Museum of American Art, The Metropolitan Museum of Art, New York; the Art Institute of Chicago; Walker Art Center, Minneapolis; as well as the collection of Chase Manhattan Bank.