Maxfield Parrish

(i) signed Maxfield Parrish. and inscribed Windsor. Vermont. (on the reverse)

(ii) signed Maxfield Parrish (lower right)

(iii) signed Maxfield Parrish and inscribed Windsor. Vermont. (on the reverse)

(iv) signed Maxfield Parrish. (lower right)

each: 19 ⅞ by 14 in. 50.5 by 35.6 cm.

William Henry Sage, Jr., Ithaca, New York (acquired by 1919)

DeWitt L. Sage and Elizabeth Wickes Nichols, Baltimore (acquired by descent from the above)

Private Collection (acquired by descent from the above)

Acquired from the above in 2018 by the present owner

Chadds Ford, Pennsylvania, Brandywine River Museum, Maxfield Parrish: Master of Make-Believe, 1974, no. 62, p. 33 (titled Red Cross - World War I (untitled poster design, distribution of food packages) and Red Cross - World War I (untitled poster design, nurse attending wounded soldier) and dated circa 1917)

Albert Eugene Gallatin, Art and the Great War, New York, 1919, p. 46; n.p., illustrated (titled Design for the Red Cross)

Coy Ludwig, Maxfield Parrish, New York, 1973, fig. 82, pp. 111 and 213; p. 114, illustrated 

Marian S. Sweeney, Maxfield Parrish Prints: A Collectors’ Guide, Dublin, New Hampshire, 1974, pp. 20 and 26

William A. Coles, ed., Classical America IV, New York, 1977, p. 224, illustrated; p. 228

Exh. Cat., Reno, Nevada Museum of Art; San Diego Museum of Art; Savannah, Telfair Museum of Art; Alabama, Huntsville Museum of Art and Memphis Brooks Museum, Maxfield Parrish: Master of Make-Believe, 2005, p. 75