Maxfield Parrish

bears inscription (on the reverse)

23 by 18 ⅝ in.

58.4 by 47.3 cm.

Estate of the artist

Vose Galleries, Boston

Private Collection 

Sotheby Parke Bernet, New York, 27 October 1978, lot 111 (consigned by the above)

La Galeria, San Mateo, California (acquired at the above sale)

Private Collection

Sotheby Parke Bernet, New York, 2 December 1982, lot 89 (consigned by the above)

Pierce Gallery, Nantucket, Massachusetts (acquired at the above sale)

American Illustrators Gallery, New York (acquired in 1995)

Private Collection, New York (acquired from the above in 2000)

American Illustrators Gallery, New York

Sotheby's, New York, 21 May 2014, lot 50 (consigned by the above)

Acquired at the above sale by the present owner

San Mateo, California, La Galeria, 1979 

San Mateo, California, La Galeria, 1982

Tokyo, Isetan Museum of Art; Osaka, The Museum of Art, Kinteetsu; Yamanashi Prefectural Museum of Art and Stockbridge, Massachusetts, Norman Rockwell Museum, Maxfield Parrish: A Retrospective, 1995, no. 76, p. 136, illustrated in color; p. 167

Coy Ludwig, Maxfield Parrish, New York, 1973, no. 815, p. 219

Maxfield Parrish Jr., ed., Illustrated Catalog of the Paintings and Sketches of Maxfield Parrish, 1973, no. 76, p. 13, illustrated

Alma Gilbert, Maxfield Parrish: The Masterworks, Berkeley, 1992, fig. SE.23, pp. 168 and 248; p. 242, illustrated in color (titled New Hampshire Landscape and dated 1942)

Laurence S. Cutler and Judy Goffman Cutler, Maxfield Parrish: A Retrospective, San Francisco, 1995, p. 134, illustrated in color 

Laurence S. Cutler and Judy Goffman Cutler, Parrish & Poetry: A Gift of Words and Art, San Francisco, 1995, p. 69, illustrated in color

Alma Gilbert, The Mechanic Who Loved to Paint: The Other Side of Maxfield Parrish, Burlingame, California, 1995, fig. 56, p. 71, illustrated; p. 96 (titled New Hampshire Landscape and dated 1948)

Alma Gilbert, Maxfield Parrish: The Landscapes, Berkeley, 1998, pl. 15, pp. 53 and 82; p. 83, illustrated in color (titled New Hampshire Landscape and dated 1942)

Laurence S. Cutler and Judy Goffman Cutler, Maxfield Parrish and the American Imagists, Edison, New Jersey, 2004, p. 278; p. 279, illustrated in color