From The Lapis Press
Untitled
1999
etching and aquatint on chine collé
Edition 40 of 40 + 13 APs
Price:
5,500 USD
International shipping available
Customs duties and taxes may apply.
Ships from: California, United States
Taxes not included
VAT and other taxes are not reflected in the listed pricing. Read more
Authenticity guaranteed
We guarantee the authenticity of this item.
Details
Description
Martin Puryear (American, b. 1941).
This work is offered unframed.
"Although idea and form are ultimately paramount in my work, so too are chance, accident, and rawness."
-Martin Puryear
The artwork of Martin Puryear is a product of visibly complex craft construction and manipulation of pure material; its forms are combinations of the organic and the geometric. His process can be described as reductive, seeking to bring work and material close to its original state and creating rationality in each work derived from the maker and act of making. This is what Puryear calls "inevitability", or a "fullness of being within limits" that defines function.
Often associated with both Minimalism and Formalist sculpture, Puryear rejects that his work is ever non-referential of objective. The pure and direct imagistic forms born from his use of traditional craft are allusive and poetic, as well as deeply personal. Visually, they encounter the history of objects and the history of their making, suggesting public and private narratives including those of the artist, race, ritual, and identity.
His work is widely exhibited and collected both in the United States and internationally. Included amongst Puryear's public works is his large-scale composition Ark (1988) which was designed for York College and can be viewed presently on the school's campus in Queens, New York. Puryear has also created several permanent outdoor works, such as Bodark Arc (1982) and Pavillion in the Trees (1993) and collaborated with landscape architects on the design of public spaces. A 30-year survey, organized by the Museum of Modern Art, New York and which traveled to the National Gallery of Art, the San Francisco Museum of Modern Art, and the Modern Art Museum of Fort Worth, included installations of some of the artist's largest works, notably the dramatically foreshortened 36-foot ladder for Booker T. Washington (1996) made from a single, split sapling ash tree.
Dimensions
Signature
Signed on recto in pencil at bottom right, numbered at bottom left
Provenance
Acquired directly from the publisher by the present owner
Condition Report
The work is in excellent condition, direct from the publisher. The work is offered for sale unframed.
Publisher
Art Period
Movement/Style
SKU
C4SWC
Conditions of Business
Please note that the cancellation right for EU/UK purchasers applies to this item. Please read Condition 19 of the Buy Now Marketplace Conditions of Business for buyers for more information. Read more here.