Sam Francis
Naked sportless mirror (SFP80 47)
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Details
Description
Naked Sportless mirror
Dimensions
Signature Details
Genre
Provenance
Mako Idemitsu Collection, Japan
Nantenshi Gallery, Tokyo
Private Collection, Tokyo
Private Collection, New-York
Cornette de Saint Cyr, Paris, Contemporary Art, 23 October 2010, lot 33
Acquired from the above by the current owner
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Mako Idemitsu Collection, Japan
Nantenshi Gallery, Tokyo
Private Collection, Tokyo
Private Collection, New-York
Cornette de Saint Cyr, Paris, Contemporary Art, 23 October 2010, lot 33
Acquired from the above by the current owner
Exhibition
Gordes, Abbaye de Senanque, Centre International de Création Artistique, Sam Francis: Oeuvres nouvelles, May-August, 1980
Saint-Paul de Vence, Fondation Maeght, Sam Francis: Monotypes et Peintures, 1983
Toyama, Toyama Modern Art Museum; Seibu Takanawa, Karuizawa Modern Art Museum; Shiga Modern Art Museum; Kurashiki, Ohara Modern Art Museum;
Tokyo, Setagaya Art Museum, Sam Francis, April 1988-March 1989
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Gordes, Abbaye de Senanque, Centre International de Création Artistique, Sam Francis: Oeuvres nouvelles, mai-août, 1980
Saint-Paul de Vence, Fondation Maeght, Sam Francis: Monotypes et Peintures, 1983
Toyama, Toyama Modern Art Museum; Seibu Takanawa, Karuizawa Modern Art Museum; Shiga Modern Art Museum; Kurashiki, Ohara Modern Art Museum;
Tokyo, Setagaya Art Museum, Sam Francis, avril 1988-mars 1989
Literature
Michel Waldberg, Sam Francis : Métaphysique du Vide, Toronto, 1987, p.128-129, illustrated
Debra Burchett-Lere, and William C. Agee. Sam Francis: Catalogue Raisonne of Canvas and Panel Paintings, 1946-1994. Berkeley, 2011, p. 112, illustrated in colour
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Michel Waldberg, Sam Francis : Métaphysique du Vide, Toronto, 1987, p.128-129, illustré
Debra Burchett-Lere, and William C. Agee. Sam Francis: Catalogue Raisonne of Canvas and Panel Paintings, 1946-1994. Berkeley, 2011, p. 112, illustré en couleurs
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