George Orwell

Uniquely rebound copy of Orwell's masterpiece, published to celebrate the book's 50th anniversary with numerous illustrations by Alex Williamson as well as nice touches such as a fore-edge treatment with the words “Big Brother” printed along the edge.

• George Orwell (English).
• Binding by Richard Tuttle (American, b. 1941).
• London: Secker and Warburg, 1999.
• Included with the book is a signed artist statement by Richard Tuttle on the making of Nineteen Eighty-Four.
• Rebound in lambskin over sculpted boards by Tuttle in 2012 with a programmable video unit that permits the user to insert (via computer) images that create a “one-of-a-kind” 1984 experience. Accompanying the book is an accessory kit that is housed in a metal “film can” that contains the instruction book as well as all the attachments needed to program the unit.

As with all of Richard Tuttle’s pieces, this is a one-of-a-kind binding that captures the spirit of the book and returns us to a time when books were beautiful to display as well as read. In a world of mediocrity and mass-produced books, he believes important literary works are special and should be treasured and passed on to future generations. George Orwell created one of the great visionary works of literature. Richard Tuttle has created a great work that pays tribute to Orwell’s masterpiece.

Richard Tuttle is a painter, writer, graphic designer, carpenter, bookbinder and lover of literature. For the past 20 years, he has combined his many interests to create one-of-a-kind works of art that merge the written word with fine leather, paper, paint, wood and veneer. These original book bindings have been exhibited in numerous galleries and were featured in a PBS documentary on the Chicago Art beat. Richard describes his work as follows:  “I make literary artifacts. They are designed to pull books down off the shelf and display them in the salon, gallery or home as if they were works of art, which, of course, they are. Whether binding books with leather, paper, paint, wood, and found artifacts or building sculptures to encase the volumes, I seek to find a perspective that shouts out a piece of the essence of the literary work. I try to put myself in the author's or character's mind to say something about the time it was written in; the attitude that is explored and expressed; the magic that makes it a work of art. While I obviously respect and admire the books I work on, the humor, wit and raw energy I find so attractive in their works leads me to places that some might call disrespectful, but are, for me, essential parts of these literary works. Motivated by Marcel Duchamp's attempts to elevate the object into art and William Blake's efforts to remake his world and James Joyce's efforts to include all culture and all action in one whole: Motivated by the ongoing conversation of Jazz musicians between its earliest practitioners and its most avant-garde practitioners: Motivated by the great world library of 'what we are' as extolled by Jorge Luis Borges: Motivated by the desire to live in a world that is conscious of itself and conscious of its ability to create itself: I create these art objects out of books in order be surrounded by a physical environment that reflects the world of ideas I want to live in.”