acrylic, fluorescent acrylic and Roll-a-Tex on canvas, in 2 parts
88½ by 91½ in. 224.8 by 232.4 cm.
Executed in 1991.

Private Collection (acquired via Rhona Hoffman Gallery, Chicago in May 1991)
Phillips, New York, May 15, 2019, lot 353 (consigned by the above)
Acquired by the present owner from the above sale

New York, Whitney Museum of American Art, 1991 Biennal Exhibition, January - June 1991
Bordeaux, CAPC Musée d'art Contemporain; Pully/Lausanne, FAE Musée d'Art Contemporain; Madrid, Museo National Centro de Arte Reina Sofía; Amsterdam, Stedelijk Museum, Peter Halley, December 1991 - September 1992, p. 2, illustrated
Des Moines Art Center, Peter Halley: Paintings 1989-1992, October 1992 - January 1993, pl. 8, p. 36, illustrated on the cover
Sarah Campbell Blaffer Gallery, University of Houston; Calgary, Illingworth Kerr Gallery, Alberta College of Art; Lincoln, Sheldon Memorial Art Gallery, University of Nebraska; Armand Hammer Museum of Art, University of California, Los Angeles; Sacramento, Crocker Art Museum; Corpus Christi, Museum of South Texas; Miami, Lowe Art Museum, University of Miami; Lakeland, Polk Museum of Art; Minneapolis, Frederick R. Weisman Art Museum, University of Minnesota, Critiques of Pure Abstraction, January 1995 - June 1997, pp. 34, 66, illustrated, p. 35

Arturo Schwarz, Peter Halley: Utopia’s Diagrams, Milan 1998, p. 13, illustrated
Chantal Michetti-Prod’Hom, Géométrie et société, IAS Ingénieurs et Architectes Suisses, Geneva, no. 11, 13 May 1992, p. 233, illustrated
Celia Montolio, Geometrías escondidas, Revista Internacional de Arte Lapiz, Madrid, no. 88, 1992, p. 42, illustrated
Cory Reynolds, ed., Peter Halley, New York 2000, p. 204, illustrated

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Currently Available for Private Sale

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