ALEX PRAGER | Speed Limit

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Lehmann Maupin Gallery
ALEX PRAGER
Speed Limit, 2019
archival pigment print
59 x 74.3 in. 149.86 x 188.72 cm. (print)
61.75 x 77 x 2.5 in. 156.85 x 195.6 x 6.4 cm. (framed)
Edition of 6 and 2 AP

$50,000

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CATALOGUE NOTE
Speed Limit is a work from Alex Prager's most recent series, Play the Wind, 2019. In the film and accompanying photographs, Prager anchors her characteristically elaborate fictional scenes within the real Los Angeles, shooting primarily on location rather than in the studio for the first time since the beginning of her career. Though the images contain large constructed set pieces and are populated with carefully cast extras (numbering up to 300), the presence of the streets of Los Angeles infuses an element of urban life that is palpable in this work. Prager’s perception of Los Angeles is one of the artifice and drama befitting Hollywood, with real world chaos that overflows into sci-fi dystopia and post-apocalyptic dread. She incorporates typical visions of the city disseminated on film, TV, and within the popular imagination, which inform our characterization of a place as much as our own memories.

ARTIST BIOGRAPHY
Alex Prager (b. 1979, Los Angeles; lives and works in Los Angeles) is a photographer and filmmaker who creates elaborately staged scenes that draw inspiration from a wide range of influences and references, including Hollywood cinema, experimental films, popular culture, and street photography. She deliberately casts and stages all of her works, merging past and contemporary sources to create a sense of ambiguity. Her familiar yet uncanny images depict worlds that synthesize fiction and reality and evoke a sense of nostalgia. Prager cultivates the surreal in her photographs and films, creating moments that feel like a fabricated memory or dream. Each photograph captures a moment frozen in time, inviting the viewer to “complete the story” and speculate about its narrative context. Prager’s work often makes the viewer aware of the voyeuristic nature of photography and film, establishing the uneasy feeling of intruding upon a potentially private moment. The highly choreographed nature of her photographs and films exposes the way images are constructed and consumed in our media-saturated society.

Solo exhibitions of Prager’s work have been organized at Fotografiska, Stockholm (2019); Fondazione Sozzani, Milan, Italy (2019); FOAM Fotografiemuseum, Amsterdam, Netherlands (2019); Multimedia Art Museum, Moscow, Russia, (2019); Musée des Beaux-Arts Le Locle, Switzerland (2018); The Photographers’ Gallery, London, United Kingdom (2018); Des Moines Art Center, IA (2017-2018); Saint Louis Art Museum, MO (2015); Galerie des Galeries, Paris, France (2015); Goss Michael Foundation, Dallas, TX (2015); National Gallery of Victoria, Melbourne, Australia (2014); Corcoran Gallery of Art, Washington, D.C. (2013); SCAD Museum of Art, Savannah, GA (2013); and the FOAM Photography Museum, Amsterdam, Netherlands (2012). Select group exhibitions featuring her work include Telling Tales: Contemporary Narrative Photography, McNay Art Museum, San Antonio, TX (2016-2014); Open Rhapsody, Beirut Exhibition Center, Lebanon (2015); The Noir Effect, Skirball Cultural Center, Los Angeles, CA (2014); No Fashion, Please: Photography Between Gender and Lifestyle, Kunsthalle Wien, Vienna, Austria (2011); and New Photography, The Museum of Modern Art, New York (2010). Her work is in numerous international public and private collections, including the Kunsthaus Zurich, Switzerland; Los Angeles County Museum of Art, Los Angeles; Moderna Museet, Stockholm, Sweden; Museum of Modern Art, New York; Queensland Gallery of Modern Art, Australia; San Francisco Museum of Modern Art, San Francisco; and the Whitney Museum of American Art, New York.

Prager has received numerous awards, including the FOAM Paul Huf Award (2012), The Vevey International Photography Award (2009), and the London Photographic Award (2006). Her editorial work has been featured in prominent publications, including Vogue, New York Magazine, and W, and her film series Touch of Evil, commissioned by The New York Times Magazine, won a 2012 Emmy award. Her first major public commission, Applause, for Times Square Arts: Midnight Moment, New York, took place in summer 2017.
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