Further comparisons can be made with the fruitwood group of three putti playing in the Kunsthistorisches Museum, Vienna, attributed to Daniel Mauch (inv. no. KK_8920); note the treatment of the hair, the arms and torso as well as the execution of the eyes with their linear outline.
A. Feulner, Die Deutsche Plastike des Sechzehnten Jahrunderts, Leipzig, 1926, pl. 60; J. Rasmussen, ‘Eine Gruppe kleinplastischer Bildwerke aus dem Stilkreis des Conrat Meit’, Städel-Jahrbuch, 4, 1973, pp.121-144; M. Baxandall, The Limewood Sculptors of Renaissance Germany, New Haven and London, 1980, p. 303, pls. 81-83; T. Eser, Hans Daucher Augsburger Kleinplastik der Renaissance, Berlin 1996; J. Chipps Smith, German Sculpture of the Later Renaissance c.1520-1580. Art in an Age of Uncertainty, Princeton, 1994, pp. 365-366 and 387
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