Lot 1
  • 1

A GILT-BRASS COMBINED NOCTURNAL AND HORARY QUADRANT, UNSIGNED, ATTRIBUTED TO THE WORKSHOP OF GIOVAN BATTISTA GIUSTI, FLORENCE, CIRCA 1565 |

Estimate
15,000 - 20,000 GBP
bidding is closed

Description

  • 15 cm. high
the top of the quarantal plate symmetrically cut with double scallops rising to a suspension ring mount and engraved with scroll-ended outline decoration and line hatching. Face I. A nocturnal with a month scale in two rings and divided into three days, placed around the central sighting hole. Within this is a volvelle cut with triangular teeth numbered 1-15 for the hours of darkness in the Italian hour reckoning which begins at sunset. Each hour is subdivided to twenty minutes. A second volvelle carrying the index arm is mounted above the hour dial. below is the punched inscription HOROLOGIUM. NOCTIS. AD. STELLAM. POLI. ET AD. DVAS. VLTIM. STE. URE. MA: (A night dial for the Pole star and the two guards of the Great Bear). Face II.Engraved in the apex with a solar course diagram marked MOT[US] SO[L]IS and composed of three concentric arcs, the interior two with twelve divisions, the outer with twenty-four. The latter with the initial letters of the signs of the zodiac, the second with those of the months and the innermost with a sequence of numbers between 3 and 9. The three arcs used together offer a rapid means of find the degree and sign of the zodiac of the sun for any date of the year; (for a description of the method of use see Turner A, p. 10). The figure 14 placed above the scale is the latest date for the period that the sun can enter a new sign. Beneath this scale is the diagram for an altitude sundial in Italian hours (5-23) without sub-divisions, the morning hours being indicated by smooth lines, the afternoon hours by dotted lines and to each side are the two halves of the calendar scale requisite for its use. to the top right is the inscription QVADRANS. MENSORIUM, ET,DIEI. HORARIVM AD. ALTIT. POLI G. 43 (a quadrant for the months and hours of the day at the latitude of 43 degrees). The limb is marked with a degree scale reading to 90 degrees by 1 degree divisions numbered by groups of ten and with the corresponding shadow square.

Literature

Turner, Anthony J., Instituto e Museo di Storia della Scienza: Catalogue of Sundials, nocturnals and related instruments, Florence 2007, No. 9, 10, 33, 34. Turner, Gerard l'E, 'The Florentine Workshops of Giovan Battista Giusti, 1556-c.1575', Nuncius. Annali di Storia della Scinza, x, 1, 1995, 151-72. 

Condition

In very fine condition throughout and retaining the original gilding. plumb line replaced and bob may also p[osibly be a replacement. some very minor surface marks and scratches commensurate with age.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Although this dial is unsigned, the use of Italian hours, the general layout of the instrument and the latitude of 43 degrees (appropriate for southern Tuscany and the Reggio region of Umbria), all suggest an italian origin. This is confirmed by the similarity of many of the punches used with those found on instruments from the workshop of Giovan Battista Giusti (fl. third quarter of the 16th century) Nothing is known about Giusti although some signed instruments by him have survived (eg. two quadrants, dated respectively 1565 and 1568 in the Museo Galileo, Florence), and to whose workshop several unsigned instruments have been attributed. Sotheby's would like to thank Anthony Turner for his help in cataloguing this lot.