HERMANN CORRODI | A Camp in the Desert

Private collection, France

The canvas has a very old lining and is securely attached to a keyed wooden stretcher. The paint surface is even and in good condition. Inspection under ultra-violet light reveals some clusters of pin-head sized spots and lines of cosmetic retouching in the sky, possibly addressing some thinness in the paint. The main composition appears to be virtually untouched. This work is in good condition and is ready to hang. Presented in a decorative gilt frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A Camp in the Desert is an evocative depiction of Bedouin traders encamped in an oasis. Children and women sort wheat from the chaff on a blanket, shepherds tend their flock, a water carrier returns from a well, and men load goods on to their camels. The painting exemplifies Corrodi's skill at observing the nuances of light, in this case the cool light of dawn, as well as his rigorous draughtsmanship founded on the principles of academic painting of the first half of the nineteenth century. Corrodi, like his subjects, was something of a well-travelled nomad himself. Born in Frascati, he studied in Geneva, Rome and Paris, and travelled widely across Europe and the Middle East. In 1872 in London he was introduced to the Royal Family for whom he executed a number of works; before visiting Capri and exhibiting his work in Vienna. After marrying in 1876 he lived between Rome in the winter and Hamburg and Baden-Baden in the summer. In Germany, he secured commissions from the aristocracy and even the German Kaiser, who bought his Dome of the Rock, Jerusalem.