Lot 340
  • 340

ROMULO OLAZO | Permutation series II no. 115, B-XVII

Estimate
240,000 - 320,000 HKD
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Description

  • Romulo Olazo
  • Permutation series II no. 115, B-XVII
  • Acrylic on canvas
  • 152.5 by 213.5 cm; 60 by 84 in.

Provenance

Christie's Hong Kong, 24 May 2008, Lot 76
Acquired from the above sale by the present owner
Private Asian Collection

Exhibited

Kuala Lumpur, Malaysia, Valentine Willie Fine Art, Romulo Olazo: The Truth is Still in the Beautiful, 20 June - 14 July 2007

Literature

Romulo Olazo: The Truth is Still in the Beautiful, Valentine Willie Fine Art, Kuala Lumpur, 2007, p. 30, color illustration

Condition

This work is in good overall condition as viewed. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

A rare departure from the artist’s prolific Diaphanous series, the present lot is an impressive ode to line and abstraction in its purest format. Olazo embarked on the Permutation series in the 1990s and sought to distill his translucent, blurred forms to reveal the underlying thought process. Here we see Olazo’s severely abstracted subject matter, reduced to acute shapes, moving within shifting yet sharp outlines. Swerving and pivoting lines move acrobatically across the composition, the linear web created is at once random yet purposeful. Olazo's monochromatic palette of light grey overlapping structures float and carve into the dark background. Against the almost black space, the artist sets loose a stun of lines in rhythmic succession. Olazo’s artistic process is ardently revealed, evocative of certain aspects of minimalism and geometric abstraction. Indeed while Olazo’s embrace of sheer hues in his Diaphonous series might call to mind the ‘transparent cubism’ of Vicente Manansala, Permutation Series II No. 115. B-XVII shows his fascination with condensed movement and curvatures not dissimilar to Fernando Zobel or H.R. Ocampo’s mature works. Exemplified in the current painting is Romulo Olazo’s unique abstract vernacular, heightening simplicity into clarity.