Lot 75
  • 75

MUDASSAR MANZOOR | Untitled

Estimate
3,000 - 5,000 USD
bidding is closed

Description

  • Untitled 
  • Signed and dated in Urdu lower right 
  • Watercolor, gouache and gold leaf on paper
  • 20 x 13 ⅝ in. (50.8 x 34.6 cm.)
  • Executed in 2004

Provenance

Acquired at Ejaz Art Gallery, Lahore in 2007 

Exhibited

Lahore, Ejaz Art Gallery, Mudassar Manzoor, 2007

Literature

Exhibition catalogue, Mudassar Manzoor, Ejaz Art Gallery, Lahore, 2007, unpaginated 

Condition

This work is in a temporary frame and is in very good condition, as viewed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Mudassar Manzoor is among the finest painters belonging to the neo-miniature generation, alongside Ali Kazim and Khadim Ali. He was trained by internationally acclaimed artist Imran Qureshi. Manzoor shot to fame after receiving the best young painter award (A vision of the future) in 2006 by the Lahore Arts Council. ‘Manzoor’s solitary figures are lost in contemplation, disengaged from the world, yet very much part of its’ alluring beauty. Manzoor revels in the majesty of nature. The skills so carefully honed in the miniature studio are brought to the fore; the palette is masterly, the surface treated like a jewel. For painters trained as Manzoor has been, the handling of gold leaf has major implications. The Moghul Masters are held up as examples. Manzoor uses the enticements of gilding to enhance the contrasts inherent in his work; between austerity and splendor, between the spiritual and the worldly.’ (http://www.emerge-gallery.com/portfolio-items/mudassar-manzoor/)