'Harmony implies sacrifices. We always proceed from an impression of nature. Well, relative to nature one cannot put everything on a canvas, and it isn't so much that one can't put everything, but that one can put only very little. These few things become everything - the work of the man'
(Cross to Van Rysselberghe, quoted in John Rewald, Post-Impressionism from Van Gogh to Gauguin, New York, 1962, p. 130)
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