- 129
HENRI MANGUIN | Nu à l’atelier (La Croupe, Rue Boursault)
Estimate
80,000 - 120,000 USD
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Description
- Henri Manguin
- Nu à l’atelier (La Croupe, Rue Boursault)
- Signed Manguin and dated 1903 (lower left)
- Oil on canvas
- 36 1/2 by 28 7/8 in.
- 92.7 by 73.3 cm
- Painted in 1903.
Provenance
Ambroise Vollard, Paris (acquired from the artist in March 1906)
Galerie Bignou, Paris
Lucile Manguin (the artist's daughter), Paris
Galerie de Paris, Paris
Charles Tabachnick, Toronto (and sold: Sotheby's, London, March 28, 1984, lot 220)
Private Collection, Los Angeles (acquired at the above sale)
Steve Banks Fine Art, San Francisco
Acquired from the above on May 15, 2001
Galerie Bignou, Paris
Lucile Manguin (the artist's daughter), Paris
Galerie de Paris, Paris
Charles Tabachnick, Toronto (and sold: Sotheby's, London, March 28, 1984, lot 220)
Private Collection, Los Angeles (acquired at the above sale)
Steve Banks Fine Art, San Francisco
Acquired from the above on May 15, 2001
Exhibited
Avignon, Musée Calvet, Manguin, 1959, no. 42
Marseille, Musée Cantini, Gustave Moreau et ses éléves, 1962, no. 34
Paris, Galerie de Paris, Manguin, Tableaux Fauves, 1962, no. 4
Neuchâtel, Musée des Beaux-Arts, Manguin, 1964, no. 13
Cagnes, Château-Musée, Manguin, 1965, no. 5
Tokyo, Takashimaya; Osaka, Takashimaya & Fukuoka, Iwataya, Les Fauves, 1965, no. 34
Paris, Musée national d'art moderne & Munich, Haus der Kunst, Le Fauvisme français et les débuts de l'Expressionnisme allemand, 1966, no. 57
Paris, Grand Palais, Le Début du siècle des Indépendants 1902-1905, 1967, n.n.
Montrouge, Centre administratif, Hommage à Manguin, 1967, no. B
Charleroi, Palais des Beaux-Arts, Autour du Fauvisme, Valtat et ses amis, 1967-68, no. 33
Nice, Palais de la Méditerranée, Henri Manguin, plus de cent cinquante oeuvres, 1969, no. 5
Baden-Baden, Staatliche Kunsthalle, Maler und Modell, 1969, no. 116
Dusseldorf, Städtische Kunsthalle, Henri Manguin, 1969, no. 6
Tokyo, Galerie Yoshii, Manguin, 1970, no. 6
New York, Cultural Center; Los Angeles, University of California Los Angeles Museum of Art; Tucson, University of Arizona Museum of Art & traveling, Manguin in America, 1974-75, no. 6
New York, The Museum of Modern Art; San Francisco, Museum of Modern Art & Fort Worth, Kimbell Art Museum, The "Wild Beasts," Fauvism and its Affinities, 1976, illustrated in the catalogue
Paris, Galerie de Paris, Centenaire Henri Manguin, 1976, no. 9
Saint Tropez, France, Chapelle de la Misericorde, Henri Manguin, 1976, no. 54
Marseille, Musée Cantini, Gustave Moreau et ses éléves, 1962, no. 34
Paris, Galerie de Paris, Manguin, Tableaux Fauves, 1962, no. 4
Neuchâtel, Musée des Beaux-Arts, Manguin, 1964, no. 13
Cagnes, Château-Musée, Manguin, 1965, no. 5
Tokyo, Takashimaya; Osaka, Takashimaya & Fukuoka, Iwataya, Les Fauves, 1965, no. 34
Paris, Musée national d'art moderne & Munich, Haus der Kunst, Le Fauvisme français et les débuts de l'Expressionnisme allemand, 1966, no. 57
Paris, Grand Palais, Le Début du siècle des Indépendants 1902-1905, 1967, n.n.
Montrouge, Centre administratif, Hommage à Manguin, 1967, no. B
Charleroi, Palais des Beaux-Arts, Autour du Fauvisme, Valtat et ses amis, 1967-68, no. 33
Nice, Palais de la Méditerranée, Henri Manguin, plus de cent cinquante oeuvres, 1969, no. 5
Baden-Baden, Staatliche Kunsthalle, Maler und Modell, 1969, no. 116
Dusseldorf, Städtische Kunsthalle, Henri Manguin, 1969, no. 6
Tokyo, Galerie Yoshii, Manguin, 1970, no. 6
New York, Cultural Center; Los Angeles, University of California Los Angeles Museum of Art; Tucson, University of Arizona Museum of Art & traveling, Manguin in America, 1974-75, no. 6
New York, The Museum of Modern Art; San Francisco, Museum of Modern Art & Fort Worth, Kimbell Art Museum, The "Wild Beasts," Fauvism and its Affinities, 1976, illustrated in the catalogue
Paris, Galerie de Paris, Centenaire Henri Manguin, 1976, no. 9
Saint Tropez, France, Chapelle de la Misericorde, Henri Manguin, 1976, no. 54
Literature
J.A. Cartier, "Gustave Moreau Professeur à l'École de Beaux-Arts," in Gazette des Beaux-Arts, May 1963, illustrated p. 358
Pierre Cabanne, Henri Manguin, Neuchâtel, 1964, no. 49, illustrated pp. 93 & 159
Renata Negri, Matisse et i Fauves, Milan, 1967, p. 92
Lucile & Claude Manguin, Henri Manguin, Catalogue raisonné de l'oeuvre peint, Neuchâtel, 1980, no. 95, illustrated p. 67
A Fauve in the Bonnard Museum, Manguin or the Exaltation of Colour (exhibition catalogue), Le Musée Bonnard, Le Cannet, 2015, illustrated in color p. 80
Pierre Cabanne, Henri Manguin, Neuchâtel, 1964, no. 49, illustrated pp. 93 & 159
Renata Negri, Matisse et i Fauves, Milan, 1967, p. 92
Lucile & Claude Manguin, Henri Manguin, Catalogue raisonné de l'oeuvre peint, Neuchâtel, 1980, no. 95, illustrated p. 67
A Fauve in the Bonnard Museum, Manguin or the Exaltation of Colour (exhibition catalogue), Le Musée Bonnard, Le Cannet, 2015, illustrated in color p. 80
Condition
Please contact the Impressionist & Modern department at 212-606-7360 for a condition report prepared by a third-party conservator.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.