Lot 3604
  • 3604

A FINE WUCAI 'MONTH' CUP MARK AND PERIOD OF KANGXI |

Estimate
400,000 - 600,000 HKD
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Description

  • 6.7 cm, 2 5/8  in.
finely potted with deep rounded sides rising from a short foot to a flared rim, the exterior delicately enamelled with red florets, the reverse inscribed in underglaze blue with a poem reading Qing xiang he su yu, jia se chu qing yan ('The fragrance blends with the flavour of evening rain; the beautiful colour stands out in clear weather like in mist'), followed by a seal mark reading shang, the base inscribed in underglaze blue with a six-character reign mark in three columns within a double circle

Provenance

Christie's New York, 17th September 2008, lot 252.

Condition

The cup is in fine condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Month cups depicting seasonal flowers accompanied by pertinent two-line poems represent a classic design of the Kangxi period. Very delicately potted, they are painted in the proper wucai palette of underglaze blue and overglaze enamels, which was devised in the Ming dynasty, but rarely used in the Qing, when the underglaze colour was generally omitted. On these month cups the designs are generally sketched on the unglazed porcelain in a faint underglaze blue. Slight differences in size, colours, writing styles and marks between individual cups and different months suggest that even these cups may not have been produced as sets of twelve, but perhaps issued consecutively, as the year evolved, to be assembled at the end.