- 51
GEM SET AND DIAMOND BROOCH/PENDANT, 1890S
Estimate
5,000 - 7,000 GBP
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Description
Designed as a bat, the body composed of a pearl, the wings applied with brown plique-à-jour enamel and set with cushion-shaped diamonds, the head set with rose diamonds and a cabochon ruby for the eye, brooch and pendant fittings. Please note that the pearl has not been tested for natural origin.
Condition
Pearl of cream body colour, pitting, a large crack to the body, grey and green overtones, uneven surface. Diamonds bright and lively, a few small diamonds deficient. Damage to the brown enamel on both wings with significant areas now deficient. Secure fittings.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Lot 51 was commissioned by Mrs Evelyn St George in the early 20th century. By family tradition she ordered from Lalique. Evelyn was a wealthy American, the eldest child of George Fisher Baker, founder and President of the First National Bank of the City of New York. Against her father's wishes, Evelyn married Howard St George, an Irish land agent from County Kilkenny, in 1891. They moved to Clonsilla Lodge, off Phoenix Park, Dublin in 1905 after which the St Georges were shortly introduced to Willian Orpen who was already married to Grace Knewstub. In 1908 William Orpen began a very open affair with Mrs Evelyn St George, eight years older (and a foot taller) than him. They made a visually odd couple (a fact which delighted Orpen's humour, recorded in a number of witty sketches), causing them to become known as "Jack and the Beanstalk", yet there is no doubt of their genuine affection for one another. Evelyn St George had a flat in Berkeley Square, and the lovers met and stayed there, appearing with increasing frequency in London society. The relationship resulted in a series of remarkable paintings by Orpen, his talents enthusiastically encouraged by Evelyn. Most famous are the full-length 'swagger' portraits of Evelyn herself, such as Mrs St George. Orpen fathered one of Mrs St George's children, Vivien, from whom the lot was inherited. In later years Vivien was to recall how her mother's boudoir expressed her "marked predeliction for oddities". "These were reserved from another truly titillating piece of furniture - the day-bed that jutted into the room from the shadows of a corner near the fireplace. Luxuriantly upholstered, drowned in rich cushions, it was quite capable of accommodating two adults, a Great Dane, one small child, an alligator and a monkey. I should konw - I was the child."