AN IMPORTANT PORTABLE CHRISTIAN SHRINE MOMOYAMA PERIOD, 16TH CENTURY |

the shallow rectangular frame and a curved architectural top and two hinged doors and inner frame, with copper gilt fittings engraved with chrysanthemum mon, the interior of the doors decorated in gold hiramaki-e and inlaid in mother of pearl with panels of fuyo bordered by a rare design of stylised flowerheads, the exterior with tachibana and wild pinks bordered with similar flowerheads and hanabishi, the top with a roundel depicting a crucifix surrounded by a geometric design, the reverse in black lacquer, the frame containing a Western painting in oils, probably South American, of the Virgin and Child surrounded by the Apostles and angels playing instruments, the Holy Dove above

- Overall, the shrine is in good condition for its age and portable use. - There are a few pieces of pearl inlay missing, mainly at the edges of the doors. - There is some old damage to the lacquer on the curved pediment, which can be clearly seen in the illustration. - There is a very thin vanish overall. The black lacquer on the reverse has some scratches and wear.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The painting is based on a Spanish or Portugese engraving, the scene depicts amongst others, Saints John, James, Peter, Catherine, Alexandria, Anne and Mary Magdalene. It is possible the pigments were overpainted in Mexico as Nanban lacquers including shrines were sent from Japan to Manila and thence to Nueva España (Mexico). There is a Momoyama frame containing a similar painting in a Private Collection (See Christie's Thursday 8th December 2016 Art of Japan, lot 72)