- 403
JEAN-BAPTISTE CARPEAUX | Monsieur Imbert
Estimate
25,000 - 35,000 USD
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Description
- Manner of Jean-Baptiste Carpeaux
- Monsieur Imbert
- inscribed Souvenir d'amitié/ à M. Imbert, signed JBte Carpeaux, and dated 1873 (lower right)
- oil on canvas
- 15 7/8 by 12 7/8 in.
- 40.3 by 32.7 cm
Provenance
Roger Doublier, Monaco, (by 1944)
Sale: Sotheby's, Monaco, December 8, 1984, lot 407, illustrated (as Portrait de M. Jaubert)
Jean-François et Philippe Heim, Paris (by 1987)
Wheelock Whitney & Company, New York
Acquired from the above in 1988
Sale: Sotheby's, Monaco, December 8, 1984, lot 407, illustrated (as Portrait de M. Jaubert)
Jean-François et Philippe Heim, Paris (by 1987)
Wheelock Whitney & Company, New York
Acquired from the above in 1988
Exhibited
Paris, Galerie Heim, Peintures, Aquarelles, Dessins et Sculptures du XIXe Siècle, 1986, no. 9 (as Portrait de Monsieur Jaubert)
Literature
Louise Clément-Carpeaux, La Vérité sur l'Oeuvre et la Vie de J.-B. Carpeaux, Paris, 1935, vol. II, pp. 44, 332
Revue du Louvre, 1987, no. 1 (as Portrait de M. Jaubert)
Revue du Louvre, 1987, no. 5-6, p. 426 (as Portrait de M. Jaubert)
Patrick Ramade, ed., Carpeaux peintre, exh. cat., Musée des Beaux Arts de Valenciennes; Musée du Luxembourg, Paris; Van Gogh Museum, Amsterdam, October 8, 1999 - August 27, 2000, p. 246, no. 278, illustrated
Revue du Louvre, 1987, no. 1 (as Portrait de M. Jaubert)
Revue du Louvre, 1987, no. 5-6, p. 426 (as Portrait de M. Jaubert)
Patrick Ramade, ed., Carpeaux peintre, exh. cat., Musée des Beaux Arts de Valenciennes; Musée du Luxembourg, Paris; Van Gogh Museum, Amsterdam, October 8, 1999 - August 27, 2000, p. 246, no. 278, illustrated
Condition
Examined in the frame. Lined. The work presents well. There is faint craquelure on the sitter's forehead and under his right proper right eye and minor frame abrasion along the lower left edge. Under UV: the surface is covered by a thick green fluorescing varnish. There are a few older dashed retouches in the area to the right of the man's chin.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Jean-Baptiste Carpeaux was a leading French sculptor who rose to fame during the Second Empire. After winning the coveted Prix de Rome in 1854 and studying from masters such as Michelangelo and Donatello, Carpeaux adopted a naturalistic style which would later inspire Auguste Rodin. Carpeaux was also a prolific portrait painter, his evident painterly freedom evoking the psychological realism and integrity of his sitter. The present work has recently been identified as a portrait of Monsieur Imbert, a clerk to Carpeaux’s lawyer, to whom the painting is dedicated as a souvenir of his friendship with the artist.