- 143
VIVIAN KRAL | Estacade
Estimate
6,000 - 8,000 EUR
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Description
- Estacade
- signed
- pastel on paper
- 140 x 105 cm; 55 x 41 5/16 in.
- Executed in 2000.
Provenance
Jacques Elbaz, Paris
Condition
This work was inspected framed. This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Born in Brussels, Vivian KRal graduated from Ecole NAtionale Supérieure des Arts visuels from La Cambre. Kral visits places that fascinate her such as abandoned industrial architectures, factories in activity or monuments in restoration. Using improbable perspectives, she creates impossible framings which leads her to an imaginary creation. The buildings are reinvented. Her favorite themes are mainly buildings from the industrial era, deserted and abandoned workshops, always images of a bygone past.