Lot 94
  • 94

CARLOS CRUZ-DIEZ | Physichromie No. 2501

Estimate
120,000 - 180,000 USD
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Description

  • Carlos Cruz-Diez
  • Physichromie No. 2501 
  • signed, titled and dated Caracas 2004 on the reverse
  • acrylic and plastic elements on aluminum
  • 23 5/8 by 63 in. 60 by 160 cm.
  • Executed in 2004.

Provenance

Acquired directly from the artist by the present owner 

Condition

This work is in very good condition overall. The colors are vibrant, the media layer is stable, and all of the plastic elements are secure and accounted for. Under raking light inspection, three faint pinpoint white spot accretions become apparent in the central quadrants.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

“The Physichromies are a light trap, a space where a series of color strips interact and transform one another. They generate new ranges of color and invade the space that surrounds the vertical bands that cover the entire work. Moreover, the movement of the viewer and the light source create a series of chromatic variations, similar t those produced in a real landscape with each revolution of the sun. They will never be exactly the same because the intensity and nature of the light that is shed upon them will never be the same. Hence the name Physichromies, because they put into play the color of light, a physical color.” Carlos Cruz-Diez, Cruz-Diez: Color Happens, Madrid, 2009, p. 20



This work is accompanied by a certificate of authenticity from the Taller Cruz-Diez signed by Jorge Cruz-Delgado.