This work is in very good condition overall. The sheet is hinged intermittently verso to the board and very slightly undulated. The impastoed peaks appear stable and well intact. The irregular pigment application and surface texture are consistent with the artist's working method and choice of medium. There is evidence of a few, minor creases to the sheet particularly along the left vertical edge and top center horizontal edge, likely from the way it was affixed to the board. Under close inspection, there is evidence of minor wear and handling to the edges and corners of the sheets and a few of the corners are very slightly dulled. Only visible under very close inspection and raking light, there is evidence of a few, stable hairline pigment cracks to the top right corner and a very minor, unobtrusive pinpoint loss to the pigment at the lower right 3 inches from the horizontal edge. Under Ultraviolet light inspection, there is no evidence of restoration. Framed. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.