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RASHID JOHNSON | Untitled Anxious Men
Estimate
200,000 - 300,000 USD
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Description
- Rashid Johnson
- Untitled Anxious Men
- black soap, wax and spray enamel on white ceramic tile
- 94 1/4 by 73 in. 239.4 by 185.4 cm.
- Executed in 2015.
Provenance
Hauser & Wirth, Los Angeles
Private Collection (acquired from the above in 2015)
Acquired from the above by the present owner
Private Collection (acquired from the above in 2015)
Acquired from the above by the present owner
Condition
This work is in excellent condition overall. There are areas of heavy impasto throughout. The impasto peaks appear to be secure and intact. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"While making those scrawled faces and seeing myself reflected in them, I saw them as incredibly anxious characters. The idea of anxiety and the idea of a world that’s not giving us as many answers as we have questions is something that I’m definitely negotiating in this body of work." Rashid Johnson