Lot 407
  • 407

LOIE HOLLOWELL | Hung (down)

Estimate
60,000 - 80,000 USD
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Description

  • Loie Hollowell
  • Hung (down)
  • signed twice and dated 2016 on the overlap; signed, titled twice and dated 2016 on the reverse
  • oil and acrylic on linen mounted to panel
  • 48 by 36 in. 121.9 by 91.4 cm.

Provenance

Feuer/Mesler, New York
Acquired from the above by the present owner

Exhibited

New York, Feuer/Mesler, Mother Tongue, October - December 2016 

Condition

This work is in excellent condition overall. Surface irregularities are evident throughout, inherent to the work. There is a light scuff mark approximately 16 in. from the top edge and 2 in. from the left edge, only noticeable upon close inspection and under raking light. There is evidence of very light dust accumulation. Under Ultraviolet light inspection, there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"Unlike her forebears, Hollowell offers a representational mode entirely forthright, frank, and unapologetic about its bodily referents. In a painting shown in the Feuer/Mesler exhibition, Hung (down), Hollowell presents an upturned figure pressured—deformed, even—by two red-tipped phalluses. The work was her reaction to the media’s sexist coverage of the first female presidential nominee of a major party in this country, and stresses the exigency of figuring those very bodies at risk of unjust duress. Hollowell does so afresh, and on her own terms." Elizabeth Buhe, "Loie Hollowell at Feuer/Mesler," Art in America, 27 January 2017, online